YOU ARE HERE: LAT HomeCollectionsSculptures


April 10, 2013 | By Christopher Knight, Los Angeles Times Art Critic
There are at least three great reasons to see "Sicily: Art and Invention Between Greece and Rome," the newly opened antiquities exhibition at the Getty Villa in Pacific Palisades. A major sculpture anchors each of the show's three rooms, and together they tell an accelerating story of artistic and social power on the ancient Mediterranean island. Chronologically, the first is a straightforward male torso, his finely chiseled marble body quietly brimming with latent energy. Second comes a preening charioteer, physically just larger than life but expressively very much so. And third is a depiction of a minor god with major fertility on his mind, his powerful physicality an embodiment of the contortions of carnal lust, both corporeal and psychological.
April 8, 2013 | By Mike Boehm
Santa Monica will soon be sporting a new piece of civic art by Olafur Eliasson, and while it's on a considerably less massive scale than the giant temporary waterfalls the Danish-Icelandic artist installed along the East River in New York City as a public art project in 2008, it has the advantage of being permanent. The 9-pound table-top piece is the icing on a $1-million cake -- Santa Monica already having been awarded the cash component by Bloomberg Philanthropies, headed by New York City's multibillionaire mayor, Michael Bloomberg.
April 2, 2013 | By Jamie Wetherbe
Authorities on the East Coast are searching for Bigfoot. No, really. Vermont State Police are hunting for a Sasquatch sculpture reportedly swiped from a Westford couple's driveway over the weekend. The couple purchased the 8-pound, 15-inch-tall Yeti from a SkyMall magazine. Police say the statue is valued at around $100, the Associated Press reported, and the owners would be satisfied if it was simply returned to their front lawn. In addition to police efforts, the couple is using community network Front Porch Forum to search for the sculpture.
March 31, 2013 | By Angel Jennings, Los Angeles Times
From a distance, the Watts Towers rise as a beacon of pride in a community that has struggled for years with poverty and crime. But up close, tiny cracks are tearing through the historic sculpture. One particularly nasty fissure starts thin at the base of the 99-foot center tower, then widens and snakes over colorful tiles, branching like a network of veins from an artery. Decorative ornaments - pieces of glass, seashells and pottery that artist Simon Rodia painstakingly affixed - are falling off, bit by bit. The towers have been deteriorating for years, prompting quick patch jobs that did little long-term good.
March 13, 2013 | By David Ng
The Watts Towers in South Los Angeles will be the subject of a new study conducted by experts from UCLA to determine the stability of the historic sculptures, which were completed by Simon Rodia in 1954. The study, now  underway, is expected to be completed by early next year. Chief among the concerns are cracks that have plagued the towers for many years. Sensors have been placed around the site to measure variables such as wind and sun exposure. Experts are also measuring the effects that earthquakes have had on the sculptures.  The study is being carried out by engineers from the UCLA Henry Samueli School of Engineering and Applied Science.
March 11, 2013 | By Jenn Harris
What could be better than giant donuts, booze and art? Not a lot.  If you plan on taking part in the Downtown Los Angeles Art Walk on Thursday, you can catch Los Angeles artist Manny Castro and his giant donuts, plus a little booze. FactoryLA , a company that promotes fashion made and designed in L.A., is hosting the event. Castro, who is known for his 30-by-30-foot painting of Lady Gaga as Christ and for painting "Tastes Like Hate" on a Chick-fil-A building, will have his donut sculptures on display.
March 8, 2013 | By Suzanne Muchnic
SICILY, Italy - Two years ago, the J. Paul Getty Museum ended a lengthy dispute with Italian cultural authorities by returning a towering limestone and marble statue of a Greek goddess to Sicily. The sculpture is now the pride of the relatively modest Museo Archeologico in Aidone - and by far its biggest attraction. The tiny hilltop town in central Sicily, near an excavation of the ancient city of Morgantina, is also the home of a Hellenistic silver collection repatriated in 2010 by the Metropolitan Museum of Art in New York.
March 5, 2013 | By Jay Jones
One of the world's largest sellers of Lladró porcelain, Regis Galerie in Las Vegas, is inviting shoppers to meet the company president this weekend. Rosa Lladró, the daughter of one of the founders, will be autographing sculptures from 2-4 p.m. on Sunday, March 10. The gallery, in the Grand Canal Shoppes at the Venetian, is known for its broad range of art collectibles bearing names such as Daum, Faberge and Lalique. Buyers often acquire pieces with the expectation that they will increase in value, and signed pieces often are worth more.
February 17, 2013 | By Holly Myers
In JJ Peet's beguiling L.A. debut at Redling Fine Art, the familiar tropes of found object assemblage sculpture - scrap wood and bricks, rags and plastic shopping bags - come to life through a sheer infusion of raw creative energy. In both the sculptures and the film that accompanies them, a genuine visual curiosity, paired with a judiciously democratic embrace of materials, result in works of unusual fervor and formal acuity. Upon entering the darkened front gallery at Redling, one encounters a trio of sculptures suspended from the ceiling by long, rectangular aluminum tubes.
February 12, 2013 | By Crispin Sartwell
One of the biggest problems in our politics is that people don't think for themselves. We let radio and television hosts, pundits and politicians tell us what to believe. And one of the biggest problems in our arts is that people don't enjoy for themselves. We let museum curators, gallery owners, critics and professors tell us what to feel. A recent battle in the art world illustrates the point. The billionaire Ronald Perelman is suing the multimillionaire art dealer Larry Gagosian on the grounds, among others, that Gagosian overvalued an unfinished sculpture of Popeye (yes, the Sailor Man)
Los Angeles Times Articles