August 6, 1994
Regarding the summer films being "squeezed" at the box office ("A Squeeze Play Tags the Summer Box Office," Aug. 2): Although history probably proves me wrong, I propose that one key to the monetary gross of a film is the quality of the film. But I wouldn't want to frighten the studios with that suggestion. Perhaps mediocre drivel gets the audience it deserves. At least we might see fewer sequels. ADAM HYMAN Los Angeles
December 23, 1991
Thank you for running a second opinion on the movie "For the Boys" (" 'For the Boys': Real-Life Morale Booster," Dec 16). This fascinating account of our wartime culture as seen from backstage furnishes new insight into the foibles of America through three wars. World War II was real box office. "For the Boys" demonstrates how the people who brought us WWII thought they could get away with the vacuous sequels: Korea and Vietnam. GENE HERD North Hollywood
January 3, 1996 |
'Toy Story' Video Sequel Being Considered: In a press release, Richmond, Calif.-based Pixar Animation Studios, which produced the hit Walt Disney film using innovative computer technology, said it is discussing a direct-to-video sequel with Disney. "Toy Story," which has grossed more than $150 million to date domestically at the box office, has been Hollywood's biggest hit over the holiday season. No details of the prospective project were announced.
July 22, 2006
Re "Everybody's a critic," Current, July 16 Kyle Pope cannot be serious. No one thinks critics -- whether the "elite" ones he so despises or even the more folksy Ebert and Roper variety -- had anything to do with the financial success of any of the films he mentions. Each one of his examples -- "Pirates of the Caribbean: Dead Man's Chest," "Mission: Impossible III," "X-Men: The Last Stand" and "The Da Vinci Code" -- have a single, glaringly obvious thing in common: They were made because they are brand names the public already knows and were promoted to within an inch of their lives.