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November 9, 1998 | MAGGIE FARLEY, TIMES STAFF WRITER
At Shanghai's new opera house, where the acoustics are as crystalline as the vaulting glass walls, the symbolism of the Grand Theater's opening also rings loud and clear. The $150-million glass culture palace designed by French architect Jean-Marie Charpentier to host international performers such as tenor Jose Carreras and operas such as "Aida" and "Faust," is meant to be a declaration about the state of the arts in Shanghai.
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ENTERTAINMENT
November 9, 1998 | MAGGIE FARLEY, TIMES STAFF WRITER
At Shanghai's new opera house, where the acoustics are as crystalline as the vaulting glass walls, the symbolism of the Grand Theater's opening also rings loud and clear. The $150-million glass culture palace designed by French architect Jean-Marie Charpentier to host international performers such as tenor Jose Carreras and operas such as "Aida" and "Faust," is meant to be a declaration about the state of the arts in Shanghai.
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