December 26, 2001 |
Even as it earns critical praise and awards, the recently released "In the Bedroom" isn't likely to jump-start interest in what, for Hollywood, remains dubious source material: the contemporary American short story. "In the Bedroom" is based on the short story "Killings," by Andre Dubus, from the collection "Finding a Girl in America," published in 1980. The film, in fact, is dedicated to Dubus, who died in 1999 at age 62.
May 18, 2005 |
Steve ALMOND soared into bestsellerdom last year as the ebulliently gifted author of "Candyfreak," a hilarious personal odyssey into the workings of smaller sweets manufacturers around the country. His new, third opus, "The Evil B.B. Chow," declares an enduring commitment to fiction.
November 14, 1994 |
John Updike a geezer? Impossible. Only yesterday, it seems, he was a boy wonder fresh out of Harvard by way of the New Yorker, dazzling us with moves in prose as fluid as young Rabbit Angstrom's on the basketball court. Yet Rabbit is dead, after faking and dribbling his way through four novels, and I realize that I have been reading Updike, his creator, all my adult life. "Born in Shillington, Pa.
November 14, 1993 |
The publicity material for this elegant collection of short stories reminds us that "Mavis Gallant has published more fiction in the New Yorker than any other writer--more than 100 stories to date." That's the kind of statement that cuts both ways: Obviously these tales are going to be witty, elegant and urbane, but in another sense many New Yorker stories are generic: Well-heeled men and women "lose their way" in ways that are easy for well-heeled readers of the New Yorker to understand.
March 8, 1991 |
James Laughlin, founder of New Directions press, has not only published adventurous contemporary fiction but found time himself to produce an impressive body of criticism, short fiction and verse. A tribute to a distinguished man of letters, "Random Stories" collects a dozen quietly powerful short stories written early in his career; it also includes an informal and candid autobiographical essay and an affectionate tribute by Octavio Paz.
December 14, 1998 |
"I know when one is dead." The line is King Lear's; the dead one, his youngest daughter Cordelia; the writer, Shakespeare. I have seen many great actors (and even actresses) read that line. And yet the performance I remember best is that of the critic and teacher Richard Sewell in a lecture theater filled with 300 college students. It was the first class of the term. We all knew that Sewell, a gentle man with a bewildered shock of white hair, had just lost his wife over the winter vacation.
May 1, 1988 |
Frederic Raphael went to Cambridge University in the early '50s and never got over it. Three decades, 14 novels, and three volumes of short stories later, Raphael's university days remain, it appears, the dominant shaping influence of his life.
December 25, 1992 |
There are two Kit Reeds, the briskly efficient plotter who wrote the taut suspense novel "Gone" under the name of Kit Craig and her alter ego, the pensive author of "Thief of Lives," 15 tales of anguished accommodation to circumstances defying control. One way and another, both the recent thriller and the short stories deal with loss and the various ways we struggle to cope with guilt, despair and the chasms that separate families and friends.
August 7, 1988 |
Australians are celebrating two centuries of European settlement on that far-flung continent. And many of them are talking about how the nation has come of age, freed at last from colonial thinking, blessed now with unlimited prospects. Murray Bail, one of Australia's most original writers, has set out to prove the same for the country's fiction, through a collection of 32 modern short stories representing two dozen writers.
October 31, 1997 |
Longing can be so distasteful. Pining is palatable; neediness, repulsive; desire, a little sticky, but still it is one of the fundamental elements of life. "Desire is a figment swiftly fleeting," writes Rikki Ducornet in the title story of "The Word 'Desire,' " an ephemeral enactment upon the finite stage of the world, where flesh is a flame and a seeming. Is it true then, she thinks, all is fire?