March 11, 2012 |
Hot Pink Adam Levin McSweeney's Books: 211 pp., $22 In the nine years it took Adam Levin to write his 1,030-page novel "The Instructions" (2010), he was also publishing short fiction. Those pieces, plus a few more, are gathered in the trim collection "Hot Pink," proving that even with a tiny word count, Levin can tell a good, funny story. This collection is front loaded: Its best pieces, surreal and sardonic, appear at the book's beginning. First is "Frankenwittgenstein," in which Mike, a teenage boy, tells the story of his father's sudden dismay over anorexia, his effort to invent a doll that might combat it, and how his plunge into obsession affects his family.
August 7, 1998 |
Move over, tabloids, Alexander Waugh has a scoop: A good short story never goes out of style. Waugh, the grandson of "Scoop" author Evelyn, believes that commuters are tired of the dumbing down of popular culture and, given the chance, will read a classic on the train instead of a newspaper feature about, say, short stories. Waugh is giving them a chance.
December 26, 2001 |
Even as it earns critical praise and awards, the recently released "In the Bedroom" isn't likely to jump-start interest in what, for Hollywood, remains dubious source material: the contemporary American short story. "In the Bedroom" is based on the short story "Killings," by Andre Dubus, from the collection "Finding a Girl in America," published in 1980. The film, in fact, is dedicated to Dubus, who died in 1999 at age 62.
May 18, 2005 |
Steve ALMOND soared into bestsellerdom last year as the ebulliently gifted author of "Candyfreak," a hilarious personal odyssey into the workings of smaller sweets manufacturers around the country. His new, third opus, "The Evil B.B. Chow," declares an enduring commitment to fiction.
March 8, 1991 |
James Laughlin, founder of New Directions press, has not only published adventurous contemporary fiction but found time himself to produce an impressive body of criticism, short fiction and verse. A tribute to a distinguished man of letters, "Random Stories" collects a dozen quietly powerful short stories written early in his career; it also includes an informal and candid autobiographical essay and an affectionate tribute by Octavio Paz.
December 14, 1998 |
"I know when one is dead." The line is King Lear's; the dead one, his youngest daughter Cordelia; the writer, Shakespeare. I have seen many great actors (and even actresses) read that line. And yet the performance I remember best is that of the critic and teacher Richard Sewell in a lecture theater filled with 300 college students. It was the first class of the term. We all knew that Sewell, a gentle man with a bewildered shock of white hair, had just lost his wife over the winter vacation.
May 1, 1988 |
Frederic Raphael went to Cambridge University in the early '50s and never got over it. Three decades, 14 novels, and three volumes of short stories later, Raphael's university days remain, it appears, the dominant shaping influence of his life.
November 11, 1993 |
The broken marriages and relationships that figure in Elizabeth Tallent's stories are like smashed mirrors. A picture disintegrates. The man and woman--and the children and stepchildren who are part of the broken picture--bleed as they walk barefoot through the shards, but they also catch bright glimpses of themselves and of each other. The shards are mirrors too.
December 25, 1992 |
There are two Kit Reeds, the briskly efficient plotter who wrote the taut suspense novel "Gone" under the name of Kit Craig and her alter ego, the pensive author of "Thief of Lives," 15 tales of anguished accommodation to circumstances defying control. One way and another, both the recent thriller and the short stories deal with loss and the various ways we struggle to cope with guilt, despair and the chasms that separate families and friends.
August 7, 1988 |
Australians are celebrating two centuries of European settlement on that far-flung continent. And many of them are talking about how the nation has come of age, freed at last from colonial thinking, blessed now with unlimited prospects. Murray Bail, one of Australia's most original writers, has set out to prove the same for the country's fiction, through a collection of 32 modern short stories representing two dozen writers.