March 20, 2011 |
The Empty Family Stories Colm Tóibín Scribner: 277 pp., $24 Walking into solitude is not so difficult ? even nowadays, with the digital contrails of voicemail and instant messaging. "I live alone now and I work hard," writes a character in Colm Tóibín's newest short-story collection, "The Empty Family. " "And when I am not working I am away. I do not see anyone I have no desire to see. It is easy to screen calls and avoid answering emails, and then they peter out. " This last matter, this slow deletion of personal relationships, is at the core of the nine stories in this collection, as Tóibín projects a slideshow of reclusive figures, many of whom have found that a life well-hid is a life sufficient.
August 7, 1998 |
Move over, tabloids, Alexander Waugh has a scoop: A good short story never goes out of style. Waugh, the grandson of "Scoop" author Evelyn, believes that commuters are tired of the dumbing down of popular culture and, given the chance, will read a classic on the train instead of a newspaper feature about, say, short stories. Waugh is giving them a chance.
May 18, 2005 |
Steve ALMOND soared into bestsellerdom last year as the ebulliently gifted author of "Candyfreak," a hilarious personal odyssey into the workings of smaller sweets manufacturers around the country. His new, third opus, "The Evil B.B. Chow," declares an enduring commitment to fiction.
January 17, 1999 |
The very idea of collecting the best English short stories into their own separate book invites a skeptical wince. What do England's Thomas Hardy or D.H. Lawrence have that can't be found in New England's persistent moralist, Nathaniel Hawthorne, or New York's prosaic exile, Henry James? What difference whether we quench a taste for other-realism with a work by England's J. G. Ballard or Colombia's Gabriel Garcia Marquez?
November 14, 1993 |
The publicity material for this elegant collection of short stories reminds us that "Mavis Gallant has published more fiction in the New Yorker than any other writer--more than 100 stories to date." That's the kind of statement that cuts both ways: Obviously these tales are going to be witty, elegant and urbane, but in another sense many New Yorker stories are generic: Well-heeled men and women "lose their way" in ways that are easy for well-heeled readers of the New Yorker to understand.
March 8, 1991 |
James Laughlin, founder of New Directions press, has not only published adventurous contemporary fiction but found time himself to produce an impressive body of criticism, short fiction and verse. A tribute to a distinguished man of letters, "Random Stories" collects a dozen quietly powerful short stories written early in his career; it also includes an informal and candid autobiographical essay and an affectionate tribute by Octavio Paz.
December 14, 1998 |
"I know when one is dead." The line is King Lear's; the dead one, his youngest daughter Cordelia; the writer, Shakespeare. I have seen many great actors (and even actresses) read that line. And yet the performance I remember best is that of the critic and teacher Richard Sewell in a lecture theater filled with 300 college students. It was the first class of the term. We all knew that Sewell, a gentle man with a bewildered shock of white hair, had just lost his wife over the winter vacation.
May 1, 1988 |
Frederic Raphael went to Cambridge University in the early '50s and never got over it. Three decades, 14 novels, and three volumes of short stories later, Raphael's university days remain, it appears, the dominant shaping influence of his life.
December 25, 1992 |
There are two Kit Reeds, the briskly efficient plotter who wrote the taut suspense novel "Gone" under the name of Kit Craig and her alter ego, the pensive author of "Thief of Lives," 15 tales of anguished accommodation to circumstances defying control. One way and another, both the recent thriller and the short stories deal with loss and the various ways we struggle to cope with guilt, despair and the chasms that separate families and friends.
August 7, 1988 |
Australians are celebrating two centuries of European settlement on that far-flung continent. And many of them are talking about how the nation has come of age, freed at last from colonial thinking, blessed now with unlimited prospects. Murray Bail, one of Australia's most original writers, has set out to prove the same for the country's fiction, through a collection of 32 modern short stories representing two dozen writers.