December 26, 2001 |
Even as it earns critical praise and awards, the recently released "In the Bedroom" isn't likely to jump-start interest in what, for Hollywood, remains dubious source material: the contemporary American short story. "In the Bedroom" is based on the short story "Killings," by Andre Dubus, from the collection "Finding a Girl in America," published in 1980. The film, in fact, is dedicated to Dubus, who died in 1999 at age 62.
May 18, 2005 |
Steve ALMOND soared into bestsellerdom last year as the ebulliently gifted author of "Candyfreak," a hilarious personal odyssey into the workings of smaller sweets manufacturers around the country. His new, third opus, "The Evil B.B. Chow," declares an enduring commitment to fiction.
July 29, 2012 |
Summer Lies Stories Bernhard Schlink Pantheon: 240 pp., $25.95 In the summer, it isn't easy being German. For a few weeks each year, the famously efficient German work routine grinds to a halt. Relaxation is the order of the day. People bound by blood and marriage spend long, listless hours together - whether they like it or not. The characters in Bernhard Schlink's new, revelatory collection of short stories, "Summer Lies," suffer through the forced intimacy of their family vacations.
November 14, 1994 |
John Updike a geezer? Impossible. Only yesterday, it seems, he was a boy wonder fresh out of Harvard by way of the New Yorker, dazzling us with moves in prose as fluid as young Rabbit Angstrom's on the basketball court. Yet Rabbit is dead, after faking and dribbling his way through four novels, and I realize that I have been reading Updike, his creator, all my adult life. "Born in Shillington, Pa.
March 8, 1991 |
James Laughlin, founder of New Directions press, has not only published adventurous contemporary fiction but found time himself to produce an impressive body of criticism, short fiction and verse. A tribute to a distinguished man of letters, "Random Stories" collects a dozen quietly powerful short stories written early in his career; it also includes an informal and candid autobiographical essay and an affectionate tribute by Octavio Paz.
December 14, 1998 |
"I know when one is dead." The line is King Lear's; the dead one, his youngest daughter Cordelia; the writer, Shakespeare. I have seen many great actors (and even actresses) read that line. And yet the performance I remember best is that of the critic and teacher Richard Sewell in a lecture theater filled with 300 college students. It was the first class of the term. We all knew that Sewell, a gentle man with a bewildered shock of white hair, had just lost his wife over the winter vacation.
May 1, 1988 |
Frederic Raphael went to Cambridge University in the early '50s and never got over it. Three decades, 14 novels, and three volumes of short stories later, Raphael's university days remain, it appears, the dominant shaping influence of his life.
May 11, 2007 |
Amy Hempel, short story writer, is spending a rainy morning at a Madison Avenue diner. She is 56 years old. Her flowing hair is silvery-white. Her speech is clear, but careful. She sometimes edits herself as she talks or advances her thoughts as if placing one foot slowly before the other. For more than 20 years, she has been creating stories, short stories.
November 11, 1993 |
The broken marriages and relationships that figure in Elizabeth Tallent's stories are like smashed mirrors. A picture disintegrates. The man and woman--and the children and stepchildren who are part of the broken picture--bleed as they walk barefoot through the shards, but they also catch bright glimpses of themselves and of each other. The shards are mirrors too.
March 20, 2011 |
The Empty Family Stories Colm Tóibín Scribner: 277 pp., $24 Walking into solitude is not so difficult ? even nowadays, with the digital contrails of voicemail and instant messaging. "I live alone now and I work hard," writes a character in Colm Tóibín's newest short-story collection, "The Empty Family. " "And when I am not working I am away. I do not see anyone I have no desire to see. It is easy to screen calls and avoid answering emails, and then they peter out. " This last matter, this slow deletion of personal relationships, is at the core of the nine stories in this collection, as Tóibín projects a slideshow of reclusive figures, many of whom have found that a life well-hid is a life sufficient.