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Silk Road

ENTERTAINMENT
November 4, 2002 | Mark Swed, Times Staff Writer
Yo-Yo Ma's Silk Road Ensemble, which appeared at Royce Hall Friday night, included Western strings, brass and percussion, a Mongolian long song singer, a Chinese pipa player, an Indian tabla player and three Iranian musicians performing on native instruments. The music was more East than West, with works by Mongolian, Iranian and Indian composers, along with traditional Chinese and Iranian music. Debussy, who cocked his ear in the direction of Asia, stood in for Europe.
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ENTERTAINMENT
September 29, 2008 | Richard S. Ginell, Special to The Times
Last year was the octocentenary of the 13th century Persian poet Rumi, whose nondenominational messages of tolerance and spiritual love resonate among newly enlightened folk in the West. This year is the 10th anniversary of ever-curious cellist Yo-Yo Ma's Silk Road Project, whose musical highway from China to the Mediterranean runs right through Persia (now Iran).
BUSINESS
December 24, 2007 | Dominic Barton, Financial Times
Baron Ferdinand von Richthofen, the German historian and geographer, coined the expression "Silk Road" 130 years ago to designate the well-worn path between China and the West via Damascus. He chose silk as symbolic of the exotic and highly prized goods China allowed to flow from its centers to barbarian lands. Today, no single commodity could claim exclusive naming rights.
FOOD
June 25, 1992 | CHARLES PERRY, TIMES STAFF WRITER
People in striped robes sit under aspen trees, drinking tea dosed with black pepper and eating shish kebab sprinkled with curry-type spices. But they don't eat curries; they tend to flavor stew in the Persian fashion, with fruit instead of spices. They also eat steamed dumplings, lamb with noodles and other spicy dishes from western China--those remote western provinces that Chinese regional cookbooks ignore.
ENTERTAINMENT
October 20, 2001 | PHILIP KENNICOTT, WASHINGTON POST
Cellist Yo-Yo Ma is talking about Central Asia while, thousands of miles away, the United States is bombing it. For years, Ma has been planning a project that's now come to fruition: an East-meets-West musical overview of the cultures and countries linked by the network of trading routes known as the Silk Road. Tonight, an international gathering of 13 musicians--dubbed the Silk Road Ensemble--will join Ma in Washington for the first concert of its American tour.
NEWS
September 10, 1995 | GREG MYRE, ASSOCIATED PRESS
If the Silk Road traders of 2,000 years ago were to guide their camel caravans into the bustling new bazaars here, it wouldn't take them long to cut a deal. The Chinese stereos, Korean televisions and Japanese cameras might baffle them, but they wouldn't miss a beat haggling over Oriental carpets, Iranian fruit and Indian sandals.
NEWS
July 2, 1991 | DAVID HOLLEY, TIMES STAFF WRITER
Bao Xueli has two dreams. One is to make a pilgrimage to Mecca before he dies. The other is that his village will build him a real mosque. Bao, 81, is the imam, or Muslim religious leader, of a recently established village on newly irrigated land in the Ningxia Hui Autonomous Region of north-central China. His two dreams tell something of a people's faith--a faith that is struggling to survive and, perhaps, reassert its primacy.
NEWS
November 13, 1990 | DAVID HOLLEY, TIMES STAFF WRITER
The Chinese are already calling it "the New Eurasian Continental Bridge" or "the Iron-Silk Road." The grandiose titles apply to a new railway link that will enable travelers and trade to follow the footsteps of Marco Polo with greater ease than ever before. Trains linking China's eastern seaboard with Western Europe are due to start rolling on the 6,750-mile route in July, 1992.
TRAVEL
November 13, 1994 | SUZANNE MUCHNIC, TIMES STAFF WRITER; Muchnic is The Times' art writer. and
The music began as we stepped off our bus in the adobe village of Wupu in northwestern China. Barely perceptible at first, a seductive whine gathered force as it welled up in the throats of middle-aged men and reverberated from their long-necked stringed instruments and sheep-skin tambourines. Next came the dancers--a troupe of little girls, 6 or 8 years old, with winsome smiles, velvety brown eyes and shiny pigtails.
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