March 21, 1985 |
Pete Ambagtsheer, a 57-year-old former sailor who dances and sings for tourists at Ports o' Call village in San Pedro, is mourning the theft of his puppet collection, along with other art works created over a lifetime as an itinerant artist. Ambagtsheer said he suspects that a waterfront transient he befriended took the ancient camper truck he lived in with his near-life-size puppets, and "everything--my puppets, my tools, my sketches, my home!" ". . .
August 19, 2012 |
Long known for being genteel and charmingly indifferent to headline news, the New Yorker in recent years has earned a reputation of skewering political and cultural figures with its cover art. Barry Blitt's infamous 2008 Barack and Michelle Obama fist bump cover poking fun at the perception of the then-presidential candidate, for instance, spawned countless satiric imitations. With "Blown Covers: New Yorker Covers You Were Never Meant to See" (Abrams), art director Françoise Mouly gives readers a behind-the-scenes look at the selection process.
September 16, 2012 |
Sketches about funny voices and the 2012 election dominated the opening of "Saturday Night Live's" 38 th season. Host Seth MacFarlane, creator and voice actor of “Family Guy” and “Ted,” tended to rely upon his vocal characters for most of his starring scenes (a dark sketch about a damaged puppet class attendee was arguably the most successful in terms of both humor and originality), although the host did take a stab at celebrity impression during a fond Weekend Update tweak at the genial dimness of Olympics star Ryan Lochte.
January 26, 1986 |
Even amid the endemic and fashionable gloom-unto-suicide of turn of the century Czechoslovakia, the melancholy of Rudolf Tesnohlidek was something special. His father was an animal skinner, and in a brief biographical afterword to "The Cunning Little Vixen," Robert T. Jones, one of the translators, says that Tesnohlidek as a boy would run screaming from the moans of the dying beasts. That might have given anyone a dark vision of existence.
February 12, 2014 |
Sid Caesar, a television pioneer who reigned as the king of live TV sketch comedy in the 1950s with his inspired brand of mimicry, pantomime and satire on the classic comedy-variety series “Your Show of Shows” and “Caesar's Hour,” died Wednesday. He was 91. Caesar died at his home in Beverly Hills after a brief illness, according to his biographer and friend Eddy Friedfeld. A two-time Emmy Award-winning performer during his TV heyday in the '50s, Caesar has been hailed as “one of the great TV clowns,” “one of television's most inventive performers” and “a genius at making people laugh.” PHOTOS: Sid Caesar | 1922 - 2014 “Television had its share of comedy geniuses,” Times television critic Howard Rosenberg wrote in 1994.
July 15, 1987 |
The most astonishing thing about "NBC Presents the AFI Comedy Special" isn't that it's so consistently and so pathetically unfunny. It's that NBC doesn't seem to have a clue that it's created yet another TV crime against comedy (tonight at 10 on Channels 4, 36, 39).
May 3, 1987 |
FRANK GEHRY OFTEN draws when he flies, in the time between lectures, meetings, interviews and dinners, in the spaces left in a life that, increasingly, is as crowded as a curio shop with the symbols of accomplishment. Consider his latest collection of honors: This month, he will be inducted into the American Academy and Institute of Arts and Letters, which counts just 12 architects among its members.
December 31, 2010 |
Bill Gold was just 21 and a recent graduate in illustration and design from the Pratt Institute in New York when he was hired in the advertising department of Warner Bros. in New York City. His first poster was for the 1942 classic " Casablanca. " Over the next 60 years, Gold was responsible for either designing or working with illustrators on about 2,000 motion pictures, including Elia Kazan's 1951 "A Streetcar Named Desire" and 1955's "East of Eden," Alfred Hitchcock's 1954 "Dial M for Murder," Stanley Kubrick's 1971 "A Clockwork Orange" and 1975's "Barry Lyndon," and 35 Clint Eastwood movies.
May 9, 1998
Sid Caesar, the real-life model for Max in Neil Simon's "Laughter on the 23rd Floor," dominated network television in the '50s with Milton Berle, Groucho Marx, Lucille Ball, Jackie Gleason, Phil Silvers and Jack Benny. "Your Show of Shows," Caesar's NBC program (1950-54) nurtured the best comedy writers--among them Mel Brooks, Woody Allen and Larry Gelbart, who all went on to stage and screen careers, and of course Simon, our most successful commercial playwright.