October 14, 2012 |
Walking into Friedrich Kunath's show at Blum & Poe is like stumbling into a dream that is at once madcap and melancholy. The paintings bring together a mishmash of images, whether goofy cartoon animals or brooding men from 19th-century German etchings. On the floor is a trail of giant shoes - replicas of men's penny loafers filled not with feet but with odd objects like a massive matchstick or a big banana. The deeper you walk into the show, the closer you get to the dreamer-character himself, a painfully lonely man who ultimately appears in two forms: a lumpy sculpture slumped on the floor and a character in a 17-minute film shown adrift on land and at sea. The film is called "You Go Your Way and I'll Go Crazy.
October 9, 2012 |
Vincent Van Gogh didn't just work at things - he attacked them, eulogizes his grieving brother Theo in the Next Arena's revival of “Vincent.” As performed by French-born actor Jean-Michel Richaud, this insightful and often moving 1981 solo show penned by Leonard Nimoy transcends the usual clichés surrounding the high-maintenance artist with the tortured relationship to his aural appendage. Nimoy knows from ears, of course, but his script looks beyond merely sensational biographical episodes to the unifying themes in three principal facets of Vincent's adult life: God, love and art. As Theo admits during an imaginary tribute conducted a week after his brother's death, Vincent pursued all three with perhaps an overdeveloped sense of drama, but always with passion.
September 20, 2012 |
Mimi Lauter's gigantic pastel drawings at Marc Selwyn Fine Art are the visual equivalent of having a word on the tip of your tongue and not being able to say it: frustrating experiences that highlight some of the differences between minds and bodies. But the young artist's richly textured fields of brooding, autumnal colors, with fine patterns carved into their fleshy surfaces, are more complicated - and resplendent - than that. More than just about any other artist of her generation, Lauter excites our desire to know what we are looking at only to short-circuit such unimaginative, even mechanical activities.
September 18, 2012 |
This post has been updated. See note below for details. Bob Dylan famously called Smokey Robinson “America's greatest living poet” for the exquisite beauty, pain and affection in lyrics to “Tracks of My Tears,” “Tears of a Clown” and so many other songs Robinson wrote and sang during his heyday at Motown in the 1960s and 1970s. Now, Robinson's ready to share a side of his poetry largely separated from music in “Words,” a spoken-word program built around several long-form poems that Robinson will present in a pair of shows this weekend in North Hollywood.
August 21, 2012 |
The five paintings in Scott Greenwalt's first solo show in Los Angeles take viewers back to the 1960s by way of the mind-blowing trips that acid made possible. But rather than inviting aging boomers to get all misty eyed about yesteryear, the San Francisco artist's peculiar pictures at Weekend function like flashbacks gone bad. The initial sense of familiarity they trigger in your lizard brain disintegrates as you slip past the point of no return into an absurd world unlike any you have ever visited - in body, mind or spirit.
August 3, 2012 |
Mike Tyson is back in the ring -- this time battling Broadway critics. The former heavyweight champ's one-man confessional, “Mike Tyson: Undisputed Truth,” opened at the Longacre Theatre on Thursday night for a short run through Aug. 12. Written by his third wife, Kiki, the show spans Tyson's rough childhood, his triumphs and tragedies in and out of the ring and, later, his sobriety and conversion to veganism. The tell-all is also dotted with Tyson's many public indiscretions: arrests, facial tattoos, drugs, running through a $400-million fortune and, yes, that ear-gnawing incident during his infamous match with Evander Holyfield.
July 20, 2012 |
Fans shut out of Kaskade's Staples Center set on July 27 now have another chance to see it. The San Clemente-based producer and DJ announced that he'll live-stream the groundbreaking set, the first solo show from an electronica headliner at the venue, at sites including his homepage , Facebook and the YouTube channel of his label, Ultra Records. He'll also be taping the show, the marquee date of his "Freaks of Nature" tour, for a DVD package planned for release later this year and will host an after-party at Exchange LA immediately following his Staples show.
June 29, 2012 |
He roams the night in menacing military police garb in search of homosexuals. No, he's not cruising the bars of West Hollywood, the Castro or Chelsea. He's the head of Uganda'sspecial task force for the country's Anti-Homosexuality Bill. Funny, isn't it, the way the words "probe" and "penetrative" always seem to be on his lips? He insists his nation won't "bend over" for homosexuality and believes that the enforcement of the "penal code" is way too "soft. " Satire plays only a small part in Ntare Guma Mbaho Mwine's solo show "A Missionary Position," which is receiving its world premiere at REDCAT in an artfully staged production that runs through this weekend.
June 27, 2012 |
They're looking for a few good denouements. The Promenade Players Theater Company's “Six Characters Looking for an Author” and Katselas Theatre Company's solo show “I Am Chrissie” both spark from the same premise: Those who don't stage their history are condemned to repeat it. “Six Characters” is a new version of Luigi Pirandello's one-act by David Harrower. In this surreal skit, a tedious theater rehearsal takes an unexpected turn when an agitated family enters and announces its members are characters from an unfinished play.
June 17, 2012 |
Despite playing the occasional flapper or showgirl, Sutton Foster is not considered a showbiz "bad girl," someone whose fame stems from tabloid breakups or behaving badly on a reality show. A Tony-winning musical comedy star, she made her name the old-fashioned way: though years of anonymous work interrupted by a fortuitous break. So when Foster says, "I'm trying to break every rule possible -- and I hope I do so," it sounds a little out of character. Foster is talking about cabaret, not the Kander-Ebb musical but rather the theatrical form -- and her instinctive suspicion of it. "Cabaret can have such a negative connotation," Foster says just before a rehearsal for the cabaret-style show she's bringing to the Kirk Douglas Theatre this week.