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SPORTS
April 25, 2014 | By Chuck Schilken
Terry Bradshaw has a loyal following in Pittsburgh. I don't know. Something about winning four Super Bowls with some team called the Steelers. So who better than the blond bomber to kick off a summer concert series June 14 that also features Motown legend Smokey Robinson and old-school favorites the Oak Ridge Boys and 38 Special at the Meadows Casino in Washington, Pa., about 30 minutes outside of the Steel City? Sounds great. He can just stand there and tell football anecdotes while laying on that down-home charm that has made him a favorite during Fox's football coverage all these years.
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ENTERTAINMENT
March 15, 2013 | By Mike Boehm
Carole King's life and times - and songs she wrote with her ex-husband, Gerry Goffin -- will be the stuff of “Beautiful: The Carole King Musical,” whose producers are aiming for a spring 2014 opening on Broadway. Playbill reports that producers Paul Blake and Sony/ATV Music Publishing are bannering the show's story as the biographical account of “Carole Klein [King's real name], Brooklyn girl with passion and chutzpah [who] fought her way into the record business as a teenager and, by the time she reached her twenties, had the husband of her dreams and a hot career writing hits for the biggest acts in rock 'n' roll.” Screenwriter Douglas McGrath (Woody Allen's “Bullets Over Broadway”)
ENTERTAINMENT
June 25, 2013 | By Jamie Wetherbe
Hard-core rap could soon be experienced by a whole new crowd. A new musical inspired by Tupac Shakur's music is in development, with an eye toward Broadway. Helmed by Kenny Leon ("A Raisin in the Sun," "Fences"), "Holler if Ya Hear Me" is being workshopped in New York and could debut during Broadway's 2013-14 season. While fueled by Shakur's songs, the production isn't a biographical drama based on the late rapper's life. PHOTOS: Hollywood stars on stage "Holler if Ya Hear Me" is a fictional account of two childhood friends and their families facing challenges in a Midwestern industrial city during the present day. The creative team includes Tony-winning choreographer Wayne Cilento ("Wicked")
NEWS
December 6, 2012 | By Todd Martens, Los Angeles Times
The Academy Awards haven't been kind to songs of late. The last few years, the category has been treated as an after-thought, with either one film dominating the slate of nominees or voters struggling to find five songs worthy of contention. After the nadir that was 2012, when only two songs were recognized, the academy has promised change. Five songs will be nominated for the upcoming awards, and once again the rarely showcased art of cinematic songwriting will be handled with grown-up respect.
NATIONAL
June 13, 2012 | By David Horsey
In this country that claims to value hard-working middle-class families, the wealth of those families sank by 40% in recent years, wiping out all the financial gains average Americans had made since the early 1990s. A new Federal Reserve report released Monday shows that the median U.S. family saw its net worth fall from $126,400 in 2007 to $77,300 in 2010. Meanwhile, the rich keep getting richer. It might be enough to spark an uprising if not for the country song ethic that so many Americans live by. I was driving to the newsroom in L.A. this morning when a song by Rodney Atkins came on the radio.
ENTERTAINMENT
December 22, 2013 | By Randy Lewis
The raison d'être of Stevie Wonder's annual holiday concert is the collection of toys for needy children in the Southland, something he's done enthusiastically for 18 years now, each edition featuring a different lineup of friends, musical colleagues and family members. Saturday's installment of Wonder's House Full of Toys at the Nokia Theatre, however, may have given the biggest gift of all to the audience of about 7,000: the first-ever performance of his landmark 1976 double album “Songs in the Key of Life” in its entirety.
NATIONAL
July 28, 2010 | By Alana Semuels, Los Angeles Times
Ben Jaffe, the tuba player and creative director for the Preservation Hall Jazz Band, was sitting in his Faubourg Marigny house one spring morning, drinking fresh-brewed New Orleans chicory coffee and worrying about the oil spill. He and music producer Bill Lynn had just watched oil executives blame one another for the Deepwater Horizon rig disaster, and Jaffe, who comes from a long line of jazz musicians, was sick of it. He glanced over at a glum Lynn, and as if by instinct, they started riffing on a standard New Orleans tune, "It Ain't My Fault."
ENTERTAINMENT
August 2, 2012 | By Patrick Kevin Day
Bob Dylan and counterterrorism? Say what? It may sound like an odd pairing, but that's exactly what Cinemax is giving us with the new season of "Strike Back," the channel's series about a stealth counterterrorism unit crossing the globe to squelch threats. For the second season, debuting Aug. 17, two brand-new Bob Dylan songs will be featured. The first song, "Early Roman Kings," premieres Thursday on Cinemax, HBO and cinemax.com. The video for the song will feature scenes from the new season starring Philip Winchester, Sullivan Stapleton, Rhashan Stone and Michelle Lukes.
TRAVEL
April 19, 2013 | By Michele Bigley
Kaunakakai, Hawaii - A fire that raged through Hotel Molokai's Hula Shores restaurant last spring did not keep the kupuna - and their audience - from claiming their spots near the lapping sea and coconut palms. For more than a decade, at 4 p.m. Fridays, 10 to 30 kupun a ("elders" in Hawaiian) have gathered at the hotel to strum their ukuleles and sing the lost songs of their youth. Half of the kupuna had their backs to the audience; instead of performing they sat around card tables sipping wine, laughing and enjoying themselves.
ENTERTAINMENT
October 11, 1992
Pop Eye (Sept. 27) asks why Randy Travis' greatest hits were released simultaneously on two separate albums although they could easily have fit onto one CD or cassette. Travis' record company responds by claiming that the cost of publishing royalties made them do it, that "doubling the number of songs . . . would create a doubling of the price." Not true. Publishing royalties currently cost record companies a government-mandated maximum of 6 1/4 cents per normal-length song (among the world's lowest, usually split equally between writer and publisher)
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