July 28, 2010 |
Ben Jaffe, the tuba player and creative director for the Preservation Hall Jazz Band, was sitting in his Faubourg Marigny house one spring morning, drinking fresh-brewed New Orleans chicory coffee and worrying about the oil spill. He and music producer Bill Lynn had just watched oil executives blame one another for the Deepwater Horizon rig disaster, and Jaffe, who comes from a long line of jazz musicians, was sick of it. He glanced over at a glum Lynn, and as if by instinct, they started riffing on a standard New Orleans tune, "It Ain't My Fault."
July 29, 2010 |
New Orleans musicians often write about tragedies and the BP oil spill is no exception. These are just a small sample of the jazz, bluegrass, rap and other songs New Orleans musicians wrote about the spill. Nobody knows nothin' . Written by John Boutte, Bill Lynn and Paul Sanchez. Featuring the Preservation Hall Jazz Band with Clint Maedgen and Threadhead Records artists John Boutté, Paul Sanchez, Susan Cowsill, Craig Klein, and Margie Perez Ain't My Fault. with Mos Def', Lenny Kravitz, Trombone Shorty, Tim Robbins, Preservation Hall Jazz Band Sorry Ain't Enough No More by Shamarr Allen, Dee-1, Paul Sanchez, & Bennie of Hot 8 Sportsman's Paradise by Ramblin' Letters Sweet Crude Blues by John Bagnato Hey Tony!
July 15, 2013 |
Jay-Z and Kanye West argued for days over the songs "Holy Grail" and "Oceans," Jay-Z said in a new interview with the BBC's Zane Lowe. "We had this whole plan when me and Kanye did [the] 'Watch the Throne' album that we would go right into our solos after that," he said in the interview, referring to the rappers' joint 2011 disc, according to Britain's NME . "Soon as I thought we had wrapped up 'Watch the Throne,' I made two records -- I had 'Holy Grail' and 'Oceans.'" But once Jay-Z played the songs for West, the latter evidently insisted they go on "Watch the Throne.
February 18, 2011 |
The song just came to him. Boiling with anger on that first day of February after Egyptian President Hosni Mubarak refused to step down, Ramy Essam grabbed his guitar. Within 20 minutes, he banged out lyrics cobbled together from the chants of the crowd in Tahrir Square, and then climbed a wobbly stage. "All of us are standing together, asking for one simple thing: Leave, leave, leave, leave," he sang, in a hypnotic echo of the words that had ricocheted through the square all day. "He will leave, because we won't leave.
April 19, 2013 |
Kaunakakai, Hawaii - A fire that raged through Hotel Molokai's Hula Shores restaurant last spring did not keep the kupuna - and their audience - from claiming their spots near the lapping sea and coconut palms. For more than a decade, at 4 p.m. Fridays, 10 to 30 kupun a ("elders" in Hawaiian) have gathered at the hotel to strum their ukuleles and sing the lost songs of their youth. Half of the kupuna had their backs to the audience; instead of performing they sat around card tables sipping wine, laughing and enjoying themselves.
CALIFORNIA | LOCAL
July 27, 2013 |
J.J. Cale, a laconic, Oklahoma-born musician who shunned the spotlight but gained fame by penning such hits as "After Midnight" and "Cocaine," has died. He was 74. His death from a heart attack Friday at a La Jolla hospital was disclosed on his website and by Mike Kappus, the head of his management agency. In 1970, Cale, a self-taught guitarist, was just scraping by in Tulsa when he heard Eric Clapton on the radio singing "After Midnight. " Four years earlier, Cale had written the song and released it to deafening silence.
August 2, 2012 |
Bob Dylan and counterterrorism? Say what? It may sound like an odd pairing, but that's exactly what Cinemax is giving us with the new season of "Strike Back," the channel's series about a stealth counterterrorism unit crossing the globe to squelch threats. For the second season, debuting Aug. 17, two brand-new Bob Dylan songs will be featured. The first song, "Early Roman Kings," premieres Thursday on Cinemax, HBO and cinemax.com. The video for the song will feature scenes from the new season starring Philip Winchester, Sullivan Stapleton, Rhashan Stone and Michelle Lukes.
October 10, 2013 |
Elvis Presley called him up in the middle of the night to thank him for a song. John Lennon went to a banquet just so he could sit next to him. Dion said meeting with him was like "being inside a cubicle with a piano and a genius. " His name was Jerome Felder, but fame reached him under a pseudonym, Doc Pomus. If you care at all about the early days of rock 'n' roll, you either know who Doc Pomus was or count one of his songs as among your favorites: "This Magic Moment," "Save the Last Dance for Me," "Lonely Avenue," "Little Sister," "Viva Las Vegas," "Can't Get Used to Losing You," "A Teenager in Love.
September 30, 2001
Robert Hilburn's interview with Bob Dylan was compelling ("How Does It Feel? Don't Ask," Sept. 16), but there was one question Hilburn didn't ask that I hoped he might, particularly given his earlier writings on the subject: Why do you continue to play concerts made up primarily of so-called 'greatest hits'? I have seen Dylan in concert several times over the last 12 years, but I have been frustrated by his continuing insistence on playing songs that cater to his fair-weather, as opposed to his devoted, fans.