December 26, 2012 |
Google recently rolled out a free scan and match feature for its Music service, but it seems to be switching explicit versions of songs with clean ones and vice versa. The Mountain View, Calif., company rolled out the new feature a week ago giving consumers a free alternative to similar services offered by Amazon.com and Apple, which charge $25 for their services. But earlier this week, reports hit the Web saying users are having their songs switched out for incorrect versions that either bleep out words when they're not supposed to or don't when they should.
July 29, 2010 |
New Orleans musicians often write about tragedies and the BP oil spill is no exception. These are just a small sample of the jazz, bluegrass, rap and other songs New Orleans musicians wrote about the spill. Nobody knows nothin' . Written by John Boutte, Bill Lynn and Paul Sanchez. Featuring the Preservation Hall Jazz Band with Clint Maedgen and Threadhead Records artists John Boutté, Paul Sanchez, Susan Cowsill, Craig Klein, and Margie Perez Ain't My Fault. with Mos Def', Lenny Kravitz, Trombone Shorty, Tim Robbins, Preservation Hall Jazz Band Sorry Ain't Enough No More by Shamarr Allen, Dee-1, Paul Sanchez, & Bennie of Hot 8 Sportsman's Paradise by Ramblin' Letters Sweet Crude Blues by John Bagnato Hey Tony!
February 18, 2011 |
The song just came to him. Boiling with anger on that first day of February after Egyptian President Hosni Mubarak refused to step down, Ramy Essam grabbed his guitar. Within 20 minutes, he banged out lyrics cobbled together from the chants of the crowd in Tahrir Square, and then climbed a wobbly stage. "All of us are standing together, asking for one simple thing: Leave, leave, leave, leave," he sang, in a hypnotic echo of the words that had ricocheted through the square all day. "He will leave, because we won't leave.
July 28, 2010 |
Ben Jaffe, the tuba player and creative director for the Preservation Hall Jazz Band, was sitting in his Faubourg Marigny house one spring morning, drinking fresh-brewed New Orleans chicory coffee and worrying about the oil spill. He and music producer Bill Lynn had just watched oil executives blame one another for the Deepwater Horizon rig disaster, and Jaffe, who comes from a long line of jazz musicians, was sick of it. He glanced over at a glum Lynn, and as if by instinct, they started riffing on a standard New Orleans tune, "It Ain't My Fault."
October 11, 1992
Pop Eye (Sept. 27) asks why Randy Travis' greatest hits were released simultaneously on two separate albums although they could easily have fit onto one CD or cassette. Travis' record company responds by claiming that the cost of publishing royalties made them do it, that "doubling the number of songs . . . would create a doubling of the price." Not true. Publishing royalties currently cost record companies a government-mandated maximum of 6 1/4 cents per normal-length song (among the world's lowest, usually split equally between writer and publisher)
January 19, 1986 |
We know Carol Connors mostly through her songs, and that is how she knows her cats, Minstrel and Maestro. They are Abyssinians, and still young--born May 14, 1985--but already they are practicing their music. Abyssinians are not particularly talkative, but they sing, making variations on a kind of meow-chirp or whirl-chirp or twirl. (Although I must confess that Maestro has added an unmusical growl he learned from keeping company with some leopards.
August 31, 2002
Let me get this straight. Songwriters who express anger and patriotism over the murder of 3,000 human beings on 9/11 elicit yawns and rolling eyes, while those who distance themselves from such "extremes of emotion" offer "comfort and perspective" ("Can Songwriters Convey What Everyone Is Feeling?" by Robert Hilburn, Aug. 28). Apparently Hilburn has decided that the only tasteful method of musical expression is employed by Bruce Springsteen, who steers well clear of any such emotional extremes on his new album, and by Steve Earle, who would like us to walk a mile in John Walker Lindh's shoes before judging his inexplicable behavior.
December 19, 2012 |
Google wants you to use its Music service, and it's willing to store 20,000 of your songs for free in the cloud to get you to try it. The Mountain View, Calif., company announced a new scan and match feature for U.S. users that will let them quickly store their music libraries to the cloud-based Google Music service. Users can then listen to their music on any computer or mobile device. Songs will stream at up to 320 kilobits per second, although the quality may be lower depending on your Internet connection.
December 22, 2013 |
The raison d'être of Stevie Wonder's annual holiday concert is the collection of toys for needy children in the Southland, something he's done enthusiastically for 18 years now, each edition featuring a different lineup of friends, musical colleagues and family members. Saturday's installment of Wonder's House Full of Toys at the Nokia Theatre, however, may have given the biggest gift of all to the audience of about 7,000: the first-ever performance of his landmark 1976 double album “Songs in the Key of Life” in its entirety.
August 2, 2012 |
Bob Dylan and counterterrorism? Say what? It may sound like an odd pairing, but that's exactly what Cinemax is giving us with the new season of "Strike Back," the channel's series about a stealth counterterrorism unit crossing the globe to squelch threats. For the second season, debuting Aug. 17, two brand-new Bob Dylan songs will be featured. The first song, "Early Roman Kings," premieres Thursday on Cinemax, HBO and cinemax.com. The video for the song will feature scenes from the new season starring Philip Winchester, Sullivan Stapleton, Rhashan Stone and Michelle Lukes.