August 2, 2009
Ball-Nogues: In today's Arts & Books article about architects Benjamin Ball and Gaston Nogues, a reference to their work at this year's Coachella music festival should have noted that Southern California Institute of Architecture students collaborated on the three-story plastic form; and the size of their forthcoming 18-foot project in L.A.'s Centinela Area Building and Safety Permit Office is misstated as 18 inches. Also, the smaller photograph accompanying the article misidentifies Nogues as Ball.
August 30, 2013 |
It might be the most carefully hidden building boom in American architectural history. Over the last 40 years, beginning with strict drug-sentencing laws introduced in 1973 by New York Gov. Nelson Rockefeller and quickly copied around the country, the number of prisons in this country has more than tripled, from 600 to nearly 2,000. In California, where the inmate population surged a staggering tenfold from 1975 to 2010, the construction of jails and prisons has accelerated even more quickly.
June 25, 1989
Two summer programs are being offered by the Southern California Institute of Architecture for professionals and the public. The Professional Development Program focuses on contemporary issues in architecture and urban design, real estate development, presentation techniques and related subjects. It offers day and evening courses or weekend workshops starting Monday through Aug. 31. The school will again offer Making and Meaning, an intensive five-week course for those contemplating a career in architecture.
April 20, 2011 |
"In Southern California," the architect Charles Moore wrote in 1984, "the part that is planted is very likely to be more sophisticated than the part that is built. " If that's the case — and I'd say it has been in nearly every phase of the region's design history — how to explain the fact that Los Angeles architects have for so long been much better known, locally and around the world, than their counterparts in landscape architecture? Why have our best gardens tended to be even more susceptible to neglect or demolition than our best houses, which are themselves infamously vulnerable?
May 16, 2013 |
"Everything Loose Will Land" has landed. And its timing could hardly be better. The exhibition at the MAK Center in West Hollywood, curated by UCLA architectural historian and critic Sylvia Lavin, is a wry study of the ways Los Angeles artists and architects worked with, leaned on, stole from and influenced one another in the 1970s. In a larger sense, it charts the way Southern California architects threw off the influence of establishmen Modernism and helped remake the profession in that decade.
May 11, 1997
As a young architect and former Frank Gehry employee, I take exception to Nicolai Ouroussoff's assertion that during the early '90s, "Unlike the East Coast scene . . . there was no clear theoretical center here" ("Basic Instinct," April 6). Most of the architects he mentions--including Buresh, Lubowicki, Mayne, Moss and Rotondi--were teaching at the Southern California Institute of Architecture, better known as SCI-Arc. As a graduate student at London's Architectural Assn. in 1990, all I heard about was the Los Angeles scene and SCI-Arc.