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Steve Hodowsky

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August 2, 1998 | Patt Morrison
For too many years, the Hollywood sign has managed to bigfoot virtually every other image of Los Angeles, to become the city's visual resume. What it has obscured is the here-and-now L.A.--the lyrically modulated light of its palmy postcard vistas, sure, but the real city that labors and plays at the penumbra of those klieg lights. That L.A. is acquiring its own court painters. They render it frankly and affectionately, in urban plein-air landscapes.
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