CALIFORNIA | LOCAL
February 24, 1996
After reading letters from Kevin Doyle and Debby Mooney Feb. 16, I felt compelled to write. Both readers had responded to your photo essay on Beansy, a pup successfully adopted from the Camarillo animal shelter. Mr. Doyle was appalled that "such nonsense" made the paper, while Ms. Mooney congratulated you on the positive effects such articles can have for animals desperately in need of new homes. These two views not only reflect dramatically different attitudes toward animals, but also mirror different approaches to news in general.
August 24, 2013 |
After Elmore Leonard died this week, his 10 rules of good writing were passed around like a favorite memory at a wake. He called this his most important rule: “If it sounds like writing, I rewrite it.” The word “sounds” there is key, because Leonard was a master of the rhythm, the musicality, of language. Does it sound like something you would actually say? Good. Does it sound like you're showing off? Not so good. A few days later, I came across a list of the “25 Things Editors Need to Remember When Working With Writers.” I agreed with almost all of them, but two are things I absolutely do. And I bet Leonard did too: 13. Suggest that your writers read out loud to themselves.
November 22, 2013 |
When we think of Russell Banks, what comes to mind are the novels: "Continental Drift," "The Sweet Hereafter," "Cloudsplitter," "Rule of the Bone. " These are ambitious books, dealing with politics and history, the aftermath of tragedy, the specter of drugs and sexual abuse. For me, though, Banks is equally noteworthy as a writer of short fiction, and not just because in the early years of his career, he matched collections to full-length efforts, nearly one-to-one. No, it's that in his stories, Banks focuses on smaller moments between parents and children, wives and husbands, the domestic dramas out of which we build our inner lives.
February 20, 1991 |
Bedtime is the most natural and easiest time for parents to begin to learn how to tell stories to their children, Norma Livo says, although long car trips can be saved by a story "strung out over several hundred miles." "Stories from literature the parent knows or folk tales retold make a good start," she says. "But also tell a story in which the child or children are the main characters.
July 1, 2012 |
Alif the Unseen A Novel G. Willow Wilson Grove: 431 pp., $25 What is the power of stories? That's the question at the heart of G. Willow Wilson's first novel, "Alif the Unseen," which takes place in an unnamed Middle Eastern emirate at a time very much like the present, as a repressive security state finds itself challenged by a flowering of freedom in its streets. It would be tempting to call this a reaction to the Arab Spring, except the book was completed in early 2011, just before the protests began in Cairo's Tahrir Square.
December 4, 2005
Carefully reading John Pike's article, "The truth about WP" (Opinion, Nov. 30), I concluded that we had indeed burned people to death with white phosphorus, but it was OK because: (1) those were not the people who the Italian press photographed; (2) we used shells, not the bombs prohibited by the Convention on Certain Conventional Weapons; (3) we never agreed to that part of the convention anyway; and (4) the Russians did it in Chechnya. I also learned that we consider ourselves well-intentioned but, for whatever reason, much of the world does not. ARTHUR KLIMECK San Pedro Pike claims that the foreign press story about the U.S. using white phosphorus in Fallouja is untrue propaganda.
February 16, 1991
If The Times' sports editor wasn't a Notre Dame grad, I sometimes wonder: 1) If Mike Downey would have written his tear-jerker about Miami being voted national champion over the Irish after the 1990 bowl games. 2) If faithful Bob Oates would have a "Let 'em play" (and not call late-game penalties) feature after Rocket Ismail's 91-yard punt return in the Orange Bowl. 3) If a story about archrival USC and steroids would have appeared three days before letter-of-intent day--and if it might have been more comprehensive by covering more schools.
January 9, 2011 |
In John Lithgow's one-man show, "Stories by Heart," which opened Wednesday at the Mark Taper Forum, Lithgow stood alone on stage, acting out favorite short stories from his childhood and sharing memories of his father reading to the family. "There's magic in the personal connection between the storyteller and the audience," said Lithgow at a backstage reception following the show. Compared with live storytelling, he said, "TV and movies feel like eavesdropping on the real event.
February 22, 2009 |
HERE'S an unlikely pairing: Susan Hill and H.P. Lovecraft. Hill is a successful mystery writer living in England who also owns a small publishing house. A writer noted for her psychological detective stories -- "The Risk of Darkness," featuring inspector Simon Serrailler, will be published next month -- she seems the model of that writer who has a serene, bookish, rustic life (she and her Shakespeare scholar husband live in the North Cotswold countryside) while her prose is full of violent, unsettled passions and disturbing situations.
October 6, 2012 |
The physical requirements for the scene weren't complicated. Bryan Cranston, who plays CIA manager Jack O'Donnell in director Ben Affleck's hostage rescue drama "Argo," had to walk from one office to another, and as laid out in a Los Angeles set late last year, a straight line ran from point A to point B. But before Cranston took a step, Affleck pulled the actor aside and redirected him. Iranian militants had just stormed the U.S. embassy...