August 2, 2009 |
The Soloist DreamWorks, $29.98; Blu-ray, $39.99 Jamie Foxx and Robert Downey Jr. deliver strong performances in "The Soloist," the adapted-from-real-life tale about the friendship between homeless, Juilliard-trained musician Nathaniel Ayers and Los Angeles Times columnist Steve Lopez, who tried to help him get his life back in order.
October 27, 2000 |
There's poetry in all of us--not just the T.S. Eliots and Robert Frosts of this world, but people like 21-year-old Taylor Maxie Jr., a former gang member who said he's been shot seven times. Maxie said he discovered his flair for the written word while he was doing time for robbery and auto theft at Camp Fred Miller, the juvenile probation camp in Malibu. He was introduced to poetry three years ago by DreamYard L.A.
March 31, 2001
Julia Roberts' performance at the Oscars was a poor example of manners. Her crass comments to Bill Conti, a highly regarded musician and conductor, were totally tasteless and uncalled for. She did not even know his name, and her "Sir" did not sound respectful in the least. Sorry, Julia, you're nowhere in my book!
October 31, 2000 |
I'm probably going to lose a little money on "Charlie's Angels." But that's OK--the movie's been a bonanza for nearly every other writer in town. Sony Pictures, desperate for a hit, managed to spend $6 million on the script for the $92-million action comedy that opens Friday. The studio didn't give all the loot to just one lucky stiff; it spread the wealth.
March 17, 2000 |
Underqualified, underdressed and increasingly desperate, Erin Brockovich opens the film with her name on it pleading for a skilled job she can sense is not going to be hers. No, she says, she has no actual medical training, but she does have three kids. She's great with people, and a fast learner, too. And she's always been interested in science, to the point of once being "madly in love with geology." Doesn't all that count for anything?
April 3, 2008 |
As long as they keep releasing movies, I suppose they'll keep publishing books about them. Here's another one: David S. Cohen's "Screen Plays" -- whose subtitle promises to reveal "How 25 Scripts Made It to a Theater Near You -- For Better or Worse." Cohen had me at "How" but lost me soon after.
November 12, 2008 |
"The Duchess." "W." "Changeling." "Defiance." "Frost/Nixon." "Milk." "Valkyrie." "Che." What do these films have in common, other than succinct titles? All are based on real people and events, and all happen to have release dates timed to award season. Unknown or notorious, martyr or criminal, weak or powerful, when it comes to the Oscars, it pays to get real.
March 6, 2003 |
Being pampered isn't a male thing, maintains Beverly Hills screenwriter Alonzo Brown. And, growing up in New York City's Spanish Harlem, he learned that life was more about "responsibility" than treating himself well. Not until he attended an African American executives' entertainment summit at the Ojai Valley Inn & Spa five years ago, he says, did those perceptions irrevocably change.
February 17, 2001
The commentary by Geoff Boucher on the Oscars "snubbing" the youth market was one of the dumbest things I've ever read ("A Show Meant for Adults Only?," Feb. 14). First, he's not really suggesting that "How the Grinch Stole Christmas" and "Scary Movie" should be nominated for best picture Oscars, is he? Even people who liked these movies thought they were stupid. Second, some of the movies he mentioned were nominated for Oscars in categories that were appropriate (best song, makeup, etc.)