January 26, 2007 |
Neither a comedy nor a drama but existing in that comfortable space in between, "Catch and Release," the feature-directing debut of screenwriter Susannah Grant ("Erin Brockovich," "In Her Shoes"), is an oddly appealing, if innocuous, movie of considerable charm. In a part that might have been played by Julia Roberts five years ago, Jennifer Garner stars as Gray Wheeler, a young Boulder, Colo., woman whose fiance, Grady, dies just before their wedding.
August 2, 2009 |
The Soloist DreamWorks, $29.98; Blu-ray, $39.99 Jamie Foxx and Robert Downey Jr. deliver strong performances in "The Soloist," the adapted-from-real-life tale about the friendship between homeless, Juilliard-trained musician Nathaniel Ayers and Los Angeles Times columnist Steve Lopez, who tried to help him get his life back in order.
March 17, 2000 |
Underqualified, underdressed and increasingly desperate, Erin Brockovich opens the film with her name on it pleading for a skilled job she can sense is not going to be hers. No, she says, she has no actual medical training, but she does have three kids. She's great with people, and a fast learner, too. And she's always been interested in science, to the point of once being "madly in love with geology." Doesn't all that count for anything?
October 31, 2000 |
I'm probably going to lose a little money on "Charlie's Angels." But that's OK--the movie's been a bonanza for nearly every other writer in town. Sony Pictures, desperate for a hit, managed to spend $6 million on the script for the $92-million action comedy that opens Friday. The studio didn't give all the loot to just one lucky stiff; it spread the wealth.
March 31, 2001
Julia Roberts' performance at the Oscars was a poor example of manners. Her crass comments to Bill Conti, a highly regarded musician and conductor, were totally tasteless and uncalled for. She did not even know his name, and her "Sir" did not sound respectful in the least. Sorry, Julia, you're nowhere in my book!
February 21, 2010 |
Certainly, Academy Awards night is one of the most glamorous of the year, but the ceremony does far more than offer up red carpet glitz and golden statuettes. Those three-plus hours of television also fund a year's worth of philanthropic endeavors for the Academy of Motion Picture Arts and Sciences. With the license fee somewhere north of $65 million that ABC pays for the rights to air the Oscars, the academy funds an entire year's worth of projects that fulfill the organization's original mission: to promote the art and science of filmmaking.
April 3, 2008 |
As long as they keep releasing movies, I suppose they'll keep publishing books about them. Here's another one: David S. Cohen's "Screen Plays" -- whose subtitle promises to reveal "How 25 Scripts Made It to a Theater Near You -- For Better or Worse." Cohen had me at "How" but lost me soon after.
March 25, 2001
For your consideration . . . here are all the nominees--now it's up to you to guess the winners.
March 6, 2003 |
Being pampered isn't a male thing, maintains Beverly Hills screenwriter Alonzo Brown. And, growing up in New York City's Spanish Harlem, he learned that life was more about "responsibility" than treating himself well. Not until he attended an African American executives' entertainment summit at the Ojai Valley Inn & Spa five years ago, he says, did those perceptions irrevocably change.
February 17, 2001
The commentary by Geoff Boucher on the Oscars "snubbing" the youth market was one of the dumbest things I've ever read ("A Show Meant for Adults Only?," Feb. 14). First, he's not really suggesting that "How the Grinch Stole Christmas" and "Scary Movie" should be nominated for best picture Oscars, is he? Even people who liked these movies thought they were stupid. Second, some of the movies he mentioned were nominated for Oscars in categories that were appropriate (best song, makeup, etc.)