BUSINESS
May 2, 2012 | By Meg James, Los Angeles Times
CBS Corp.might be a titan of old media but its first-quarter earnings were boosted by gains in new media: the digital distribution of its television programming and the sale of e-books. The New York-based broadcasting company beat analyst estimates with 80% higher net earnings for the quarter ended March 31. The company earned $363 million, or 54 cents per diluted share, up from $202 million, or 29 cents per diluted share, compared with the year-earlier period. The substantially higher margin came from growth in operating income as well as lower weighted average shares as a result of the company's stock repurchase program.
ENTERTAINMENT
April 14, 2012 | Greg Braxton
TV westerns, game shows and variety shows have come and gone. But when it comes to prime time, TV has rarely experienced a cop-out, despite the seemingly endless recycling of formulas dealing with the central themes of good and evil, crime and punishment. The creative forces behind CBS' new "NYC 22" hope that their series demonstrates that there is plenty of life left in the well-tilled cop show territory. Its A-list pedigree is an immediate attention grabber: Executive producers include Oscar winner Robert De Niro and novelist-screenwriter Richard Price.
ENTERTAINMENT
April 4, 2012 | Susan King
Two years before she became the object of young men's fantasies as Catwoman on the ABC series "Batman," Julie Newmar starred as a shapely robot named Rhoda on the 1964-65 CBS sitcom "My Living Doll. " The series, though, never had a chance. It premiered on Sunday opposite the No. 1 show on TV at the time, NBC's "Bonanza," and then moved midseason to Wednesday evenings opposite yet another high profile western on the Peacock network, "The Virginian. " The series was axed after 26 episodes, and "My Living Doll" all but disappeared from public view.
WORLD
February 14, 2012 | By Jonathan Kaiman, Los Angeles Times
Chinese television broadcasters have been ordered to stop showing foreign programs during prime time and limit the total amount of programming from other countries. A new set of rules bars imported programming from 7 p.m. to 10 p.m. and calls for no more than 25% of programming each day to come from foreign sources, according to a statement issued Monday by the State Administration of Radio, Film and Television, China's media regulator. "If there's no rule against taking shows from abroad, then TV stations will only broadcast foreign shows," said Yuan Fang, a professor in the advertising department of the Communication University of China.
ENTERTAINMENT
December 1, 2011 | ROBERT LLOYD, TELEVISION CRITIC
Living in the farther reaches of basic cable are a growing number of television series about what might be called "ordinary people" at work in what most of us would consider extraordinary jobs. It is lazily tempting, though not quite right, to describe these shows as redneck or blue-collar or rural, but they are mostly set away from big cities in places that -- apart from these shows -- you don't often see on TV: Southern places and prairie places and backwoods places. You can link their titles into a kind of poetical associative chain: "Ice Road Truckers," "American Joggers," "Lady Joggers," "Ax Men," "American Loggers," "Swamp Loggers," "Swamp Brothers," "Swamp People," "Swamp Wars" -- do you see a pattern emerging?
ENTERTAINMENT
September 19, 2011 | Susan King
Hall of Fame baseball greats from Lou Gehrig to Mickey Mantle didn't exactly hit home runs when they tried their luck in feature films. In fact, for most baseball stars, it was a swing and a miss. But that hasn't been the case with some pro football players. The reasons? Perhaps it has to do with the sheer physicality of the game -- football players seemed to fit easily into the action genre. And surprisingly many, including Terry Bradshaw, Bubba Smith, Alex Karras and O.J. Simpson, found a home in comedy.