May 27, 1993 |
Tom and Roseanne Arnold can't seem to get a break. Following their flap with ABC over Tom Arnold's "Jackie Thomas Show," the couple hit a roadblock in their efforts to get their first movie together off the ground. Columbia Pictures pulled the plug Monday on the Arnolds' modestly budgeted road movie--sometimes referred to as "Thelma & Lou" or "Car Movie"--three weeks before it was to begin shooting.
November 13, 1992 |
Hal Hartley is a filmmaker who takes us to familiar-looking yet utterly strange places: modern cul-de-sacs where anxiety meets lassitude, honor battles absurdity, and love tries to strike a bargain with lust. He's a comic original, but he's not just a comedian. With his mixture of sly wit and wary compassion, he's able to dig deeper into his characters than all but a handful of American directors, especially the self-consciously serious ones.
April 15, 2007 |
WHILE norteamericanos were rereading dog-eared copies of "One Hundred Years of Solitude" and "Love in the Time of Cholera," a dyslexic, globe-trotting high-school dropout and ex-heroin addict was publishing the most celebrated Latin American novels in three decades. Then, in 2003, he died.
March 9, 1990 |
"Coupe de Ville" (selected theaters), a mediocre road comedy with a few sparkling scenes, tackles that pivotal cultural question of the '60s: Exactly what were the lyrics of the Kingsmen's mush-mouthed big-beat hit "Louie Louie"? Were they, as many suspect, a barrage of unrelieved scatology and filth? Were they a tender, if incoherent, love song? Or were they, as one "Coupe" character stoutly maintains, a sea chantey about a voyage to Jamaica?
May 21, 1995 |
When the FBI went into the movie business in the 1980s in an attempt to weed out racketeering and payola, mobsters weren't the only casualties of the sting. Among the unwitting participants in the drama were struggling filmmakers Dan Lewk and Gary Levy. Though their film "Cartunes" was never produced, they were left with a wild story to tell--and now the real Hollywood is listening. The two were approached in 1987 by a producer named David Rudder with an offer they couldn't refuse.
December 11, 2011 |
Before he made it, the great radical filmmaker Robert Kramer described "Milestones," the 1975 epic of post-counterculture America that he co-directed with John Douglas, as "the last film. " "Everything has to be in it," Kramer said. "All the play of the heart. All the fullness of feeling. " True to his promise, "Milestones," newly available on DVD through Icarus Films, contains multitudes. In a film that stretches and sprawls and often seems to overflow its bounds, dozens of characters around the country — on communes, in cities, on the road, starting families, finding work, reintegrating into society after time in prison — wrestle with what it means to live in the hangover of their dashed utopian aspirations.
April 10, 1987 |
In "Three for the Road" (citywide), the movie makers try to revive another day's genre--the early '70's "road" pictures--in today's terms. And it doesn't work. The looser, more anarchic feelings they're going after don't jibe with the modern packaging, and they wind up with something slicked-up, streamlined and hollow--like "Blowing in the Wind" rearranged as elevator music.
March 1, 2007 |
IN the new comedy "Wild Hogs," Tim Allen, John Travolta, William H. Macy and Martin Lawrence play weekend warrior buddies from Cincinnati who jump on their Harleys and take a road trip to the Pacific in hopes of pepping up their humdrum suburban lives. Though filled with slapstick and more than a few off-color jokes, the movie's underlying theme is how many baby boomers feel that they have compromised their values while losing the idealism of their youth.
September 4, 1992 |
Gregg Araki's savagely comic, deeply romantic "The Living End" (at the Hillcrest Cinemas) wastes no time in getting to the point. Within its first five minutes, Jon (Craig Gilmore) learns that he has tested HIV-positive. To head off an inevitable mood of gloom, Araki swiftly cuts away from Jon to another young man, Luke (Mike Dytri), a sexy, well-muscled drifter, caught up in a series of outrageous and comical adventures on the road.
August 21, 1992 |
Gregg Araki's savagely comic, deeply romantic "The Living End" (at selected theaters) wastes no time in getting to the point. Within its first five minutes, Jon (Craig Gilmore) learns that he has tested HIV-positive. In order to head off an inevitable mood of gloom, Araki swiftly cuts away from Jon to another young man, Luke (Mike Dytri), a sexy, well-muscled drifter, caught up in a series of outrageous and comical adventures on the road.