May 20, 2010 |
While filming "The Big Sleep," Howard Hawks asked author Raymond Chandler who killed a certain victim. Chandler's famous response: He had no idea. Hard-boiled plots can get lost in their own fog, a danger that bedevils "LA Noir Unscripted," the latest improvisational hijinks from Impro Theatre. The deadpan troupe, which has created original comic plays nightly in the style of Jane Austen, Tennessee Williams and Shakespeare, now dons fedoras and fishnets for this droll excursion into B-movie territory.
July 17, 2013 |
Fitting “The Tempest” in a teapot-sized theater is a daunting enough prospect, but the bigger challenges facing SkyPilot Theatre Company's “The Island,” a self-described “musical re-imagining” of Shakespeare's play, are the handicaps arising from its own unmet ambitions. In this new present-day adaptation by composer-book writer Jonathan Price and lyricist Chana Wise, and directed by Jeanette Farr, air travel, smartphones, Internet and hip-hop dance clubs coexist uneasily with “The Tempest's” familiar narrative elements (power-grabbing betrayal, magical spells, parental tribulations and raging teen hormones)
June 27, 2012 |
They're looking for a few good denouements. The Promenade Players Theater Company's “Six Characters Looking for an Author” and Katselas Theatre Company's solo show “I Am Chrissie” both spark from the same premise: Those who don't stage their history are condemned to repeat it. “Six Characters” is a new version of Luigi Pirandello's one-act by David Harrower. In this surreal skit, a tedious theater rehearsal takes an unexpected turn when an agitated family enters and announces its members are characters from an unfinished play.
April 26, 2012 |
You'd be hard-pressed to find a musical with less dramatic tension than "Million Dollar Quartet" anywhere this side of a "My Little Pony" touring show. The production that opened Tuesday at the Segerstrom Center for the Arts really just wants to let the good times roll, so you can be glad it devotes only about 10 minutes of its 105-minute running time to drumming up token conflicts between Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash and their visionary producer, Sam Phillips.
August 26, 2012 |
At 80, South African playwright Athol Fugard is still turning out plays at a rate that would be daunting for a dramatist half his age. A crucial witness to the warping effect of apartheid on his country's soul, Fugard has continued in the post-apartheid era to track the difficult moral journey of characters heeding and resisting the national imperative of reconciliation. His latest play, "The Blue Iris," receiving its U.S. premiere at the Fountain Theatre, is in keeping with the distilled, backward-looking, frankly mournful style that has dominated his late works.
September 7, 2012 |
Just a few years after writing his antiwar masterpiece, "The Trojan Women," Euripides was even more despondent about the reckless imperialist course of Athenian foreign policy. His response wasn't a louder shriek of lament but a rollicking romantic melodrama - escapist fare, really, but with a radical Euripidean twist. Conceived of during a low point in the long and costly Peloponnesian War, "Helen," a sentimental adventure tale with a biting undercurrent of social criticism, dares to debunk the rationale for the Trojan War by imagining an alternative narrative about the faithless beauty who infamously launched a thousand Greek ships.
September 13, 2012 |
No need to bone up on the Mormon prophet Joseph Smith before attending "The Book of Mormon" at the Pantages Theatre. Just know that this exceedingly naughty, though in the end disarmingly nice, show is devised by the minds behind "South Park" and that risqué "Sesame Street" for theater-loving adults, "Avenue Q. " In other words, leave the kids at home with a baby-sitter, or child-protective services might be knocking at your door. Built for the irreverent Gen X faithful, all those aging slackers (myself among them)
October 8, 2012 |
Charles Smith is just your average, bumbling occupant of the Oval Office. Up for reelection, he doesn't stand much of a chance of gaining a second term. His wife is already asking whether she can take one of the White House couches she had reupholstered when they leave. Even those seeking favors are apt to remind him that his poll numbers are "lower than Gandhi's cholesterol. " From this desperate political situation, David Mamet, playwriting's graying enfant terrible, spins a retro farce that will have many wondering whether the ghost of Sid Caesar has taken possession of the author of such foul-mouthed dramatic landmarks as "American Buffalo" and "Glengarry Glen Ross.
June 14, 2013 |
Six months after her husband's death, Olga Knipper, famed actress and widow of Anton Chekhov, is gearing up to face an audience again. In a dimly lighted rehearsal hall in St. Petersburg, Russia, with two other actors, she prepares to resume her life onstage. Her monologue from "The Cherry Orchard," though, is not coming out right. She fears that grief has destroyed her capacity to feel. Outside a graver crisis is erupting. A march of workers ended in a massacre. Actors from this company may have been killed.