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ENTERTAINMENT
December 5, 2011 | By Randall Roberts, Los Angeles Times Pop Music Critic
If the new Cirque du Soleil tribute to Michael Jackson, "Immortal," confirms one thing, it's that the King of Pop's presence, even in death, sure can rile up a crowd. Every time the late singer's image popped on-screen during the show's Las Vegas premiere on Saturday night, whether as a tyke with a golden voice as part of the Jackson 5 or as a Thriller with a sequined glove and a miraculous body for dance, the sold-out venue erupted, if only for a snapshot moment. But clips of Jackson being MJ, however magnetic, can't sustain an hour-and-a-half show dedicated to his music, nor can a dancing Bubbles the chimpanzee, big-Afroed J5 impersonators, a baffling mid-show cello solo, a sexy contortionist act atop a children's book, groups of synchronized mummies in hoop skirts and, most curiously, a life-sized dancing glove that looked more like a half-dead starfish.
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ENTERTAINMENT
June 20, 2012 | By Charles McNulty, Los Angeles Times Theater Critic
Enda Walsh's "The New Electric Ballroom" has returned to Los Angeles in a Rogue Machine production directed by John Perrin Flynn at Theatre/Theater. The play is rather hermetic in a neo-Beckettian fashion, and I don't think I fully appreciated it when the beautifully acted Druid Ireland production was presented by UCLA Live in 2009 along with its companion piece "The Walworth Farce," which I liked a good deal more. Some plays require repeated exposures before their secret music can be discerned.
ENTERTAINMENT
May 20, 2010 | By Charlotte Stoudt, Special to the Los Angeles Times
While filming "The Big Sleep," Howard Hawks asked author Raymond Chandler who killed a certain victim. Chandler's famous response: He had no idea. Hard-boiled plots can get lost in their own fog, a danger that bedevils "LA Noir Unscripted," the latest improvisational hijinks from Impro Theatre. The deadpan troupe, which has created original comic plays nightly in the style of Jane Austen, Tennessee Williams and Shakespeare, now dons fedoras and fishnets for this droll excursion into B-movie territory.
ENTERTAINMENT
July 30, 2012 | By Charlotte Stoudt
One percenters, hide those offshore accounts: Occupy LA - or something a lot like it - has been spotted at the Boston Court Performing Arts Center.  The corruption of the privileged few is the comic target of Nikolai Gogol's “The Government Inspector,” now in an exuberant if overstated new adaptation by Oded Gross. We open on a scene that sounds suspiciously like a city council meeting in Bell: Mayor Anton (John Billingsley) alerts his cronies (Joe Fria, Alan Brooks, and Dana Kelly, Jr.)
ENTERTAINMENT
March 7, 2014 | By Margaret Gray
In “Stand-Off at Hwy #37,” a world premiere by Native Voices at the Autry, playwright Vickie Ramirez probes the ambiguous political landscape between Native and non-Native American territories. In upstate New York, residents of a reservation have organized a protest against an encroaching highway. A deceptively mild-mannered tribal elder, Aunt Bev (peppery LaVonne Rae Andrews), directs fellow protester Darrin (the scene-stealing Kalani Queypo) to place her armchair right on top of the disputed border.
ENTERTAINMENT
July 17, 2013 | By Philip Brandes
Fitting “The Tempest” in a teapot-sized theater is a daunting enough prospect, but the bigger challenges facing SkyPilot Theatre Company's “The Island,” a self-described “musical re-imagining” of Shakespeare's play, are the handicaps arising from its own unmet ambitions. In this new present-day adaptation by composer-book writer Jonathan Price and lyricist Chana Wise, and directed by Jeanette Farr, air travel, smartphones, Internet and hip-hop dance clubs coexist uneasily with “The Tempest's” familiar narrative elements (power-grabbing betrayal, magical spells, parental tribulations and raging teen hormones)
ENTERTAINMENT
November 19, 2012 | By Charlotte Stoudt
Dorothy isn't the only one who got lost in Kansas. After World War II, more than 100,000 Japanese women married American GIs and resettled across the United States. We meet five of those brides, unmoored in the Midwest, in “Tea, With Music,” a bittersweet chamber musical with book and lyrics by Velina Hasu Houston and music by Nathan Wang, now at East West Players. The occasion is a tea ceremony - and an exorcism. In a small Kansas town, Himiko (Joan Almedilla) has killed herself after a downward spiral of loss and rage.
ENTERTAINMENT
June 27, 2012 | By Charlotte Stoudt
They're looking for a few good denouements. The Promenade Players Theater Company's “Six Characters Looking for an Author” and Katselas Theatre Company's solo show “I Am Chrissie” both spark from the same premise: Those who don't stage their history are condemned to repeat it. “Six Characters” is a new version of Luigi Pirandello's one-act by David Harrower. In this surreal skit, a tedious theater rehearsal takes an unexpected turn when an agitated family enters and announces its members are characters from an unfinished play.
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