September 13, 2012 |
No need to bone up on the Mormon prophet Joseph Smith before attending "The Book of Mormon" at the Pantages Theatre. Just know that this exceedingly naughty, though in the end disarmingly nice, show is devised by the minds behind "South Park" and that risqué "Sesame Street" for theater-loving adults, "Avenue Q. " In other words, leave the kids at home with a baby-sitter, or child-protective services might be knocking at your door. Built for the irreverent Gen X faithful, all those aging slackers (myself among them)
March 26, 2013 |
In the musical "Avenue Q," there's a happy-go-lucky song about a dirty little computer secret. It's called "The Internet Is for Porn. " Theatergoers from the respectable middle class giggle helplessly throughout this number, but imagine how quickly the laughter would cease if government agents knocked on their door demanding to review their Internet browsing history. Such a scenario is underway in "The Nether," the daring new drama by Jennifer Haley that opened at the Kirk Douglas Theatre Sunday.
April 26, 2012 |
You'd be hard-pressed to find a musical with less dramatic tension than "Million Dollar Quartet" anywhere this side of a "My Little Pony" touring show. The production that opened Tuesday at the Segerstrom Center for the Arts really just wants to let the good times roll, so you can be glad it devotes only about 10 minutes of its 105-minute running time to drumming up token conflicts between Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash and their visionary producer, Sam Phillips.
January 11, 2013 |
Before Quentin Tarantino, Martin McDonagh and all the other sadistic bad boys of film and theater, there was the 17th century dramatist John Ford testing his audience's tolerance for perverse blood sport. In his most popular play, " 'Tis Pity She's a Whore," now at Freud Playhouse through Saturday in an international touring production by the acclaimed London-based company Cheek by Jowl, Ford does his best to out-Jacobean the Jacobean playwrights he was weaned on. Revenge isn't just the main dish - it's the theme of his entire buffet.
August 26, 2012 |
At 80, South African playwright Athol Fugard is still turning out plays at a rate that would be daunting for a dramatist half his age. A crucial witness to the warping effect of apartheid on his country's soul, Fugard has continued in the post-apartheid era to track the difficult moral journey of characters heeding and resisting the national imperative of reconciliation. His latest play, "The Blue Iris," receiving its U.S. premiere at the Fountain Theatre, is in keeping with the distilled, backward-looking, frankly mournful style that has dominated his late works.
September 7, 2012 |
Just a few years after writing his antiwar masterpiece, "The Trojan Women," Euripides was even more despondent about the reckless imperialist course of Athenian foreign policy. His response wasn't a louder shriek of lament but a rollicking romantic melodrama - escapist fare, really, but with a radical Euripidean twist. Conceived of during a low point in the long and costly Peloponnesian War, "Helen," a sentimental adventure tale with a biting undercurrent of social criticism, dares to debunk the rationale for the Trojan War by imagining an alternative narrative about the faithless beauty who infamously launched a thousand Greek ships.
October 8, 2012 |
Charles Smith is just your average, bumbling occupant of the Oval Office. Up for reelection, he doesn't stand much of a chance of gaining a second term. His wife is already asking whether she can take one of the White House couches she had reupholstered when they leave. Even those seeking favors are apt to remind him that his poll numbers are "lower than Gandhi's cholesterol. " From this desperate political situation, David Mamet, playwriting's graying enfant terrible, spins a retro farce that will have many wondering whether the ghost of Sid Caesar has taken possession of the author of such foul-mouthed dramatic landmarks as "American Buffalo" and "Glengarry Glen Ross.
August 22, 2012 |
Enigmatic anecdote is the currency of Martin Crimp's "The City," having its U.S. premiere at Son of Semele Theater in a production directed by artistic director Matthew McCray. The characters don't so much engage in dialogue as indulge in a cryptic form of storytelling, in which puzzling incidents are set against a background of warfare, brutality and personal desolation. A foreboding air of menace invokes the work of Harold Pinter, though Crimp, a playwright better known in the States for his springy translations of French dramatic classics, is more abstract and diffuse.
June 14, 2013 |
Six months after her husband's death, Olga Knipper, famed actress and widow of Anton Chekhov, is gearing up to face an audience again. In a dimly lighted rehearsal hall in St. Petersburg, Russia, with two other actors, she prepares to resume her life onstage. Her monologue from "The Cherry Orchard," though, is not coming out right. She fears that grief has destroyed her capacity to feel. Outside a graver crisis is erupting. A march of workers ended in a massacre. Actors from this company may have been killed.
November 6, 2006 |
HOLD off on the novenas for "Sister Act: The Musical. " The show, which opened Friday at the Pasadena Playhouse, has Broadway blockbuster written all over it. But it's going to need a little divine intervention if it's to become more than just another generically manufactured hit. The whole project has an air of inevitability to it. Putting aside the clumsy lip-synching of its star, the 1992 Whoopi Goldberg movie most vividly came to life during...