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ENTERTAINMENT
May 24, 1996 | DAVID KRONKE, SPECIAL TO THE TIMES
"A Boy Called Hate" is one of those excruciatingly shallow and deeply stupid lovers-on-the-lam movies that really sticks it to Mean Ol' Society, which has the bad sense to deprive certain deserving youths of what they want, be it a satisfying family life or just a new Pray for Rain CD. Here, the father-son tandem of James and Scott Caan play Dysfunctional Family Case No. 18,302-B.
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ENTERTAINMENT
October 4, 1996 | JACK MATHEWS, FOR THE TIMES
Among the crop of actors currently making their debuts as directors, none has taken on a more difficult subject than Matthew Broderick with "Infinity," a movie that may be the most offbeat love story of the year.
ENTERTAINMENT
November 1, 1996 | KEVIN THOMAS, TIMES STAFF WRITER
"Beautiful Thing," which is two-thirds of a good film, is a tender coming-of-age love story set in London's Thamesmead Estates, which has bold, dramatic architecture that bespeaks of social progress but has the same lack of privacy and small quarters typical of housing projects. Living side by side are teenagers Jamie (Glen Berry) and Ste (Scott Neal), neither of whom likes school or playing rugby, although Ste loves sports and is a good swimmer.
CALIFORNIA | LOCAL
October 19, 1995 | MARY F. POLS, TIMES STAFF WRITER
In its first year as a venue for plays, concerts and the performing arts, the Thousand Oaks Civic Arts Plaza made nearly half a million dollars more than sponsors expected, financial reports show. City finance Director Bob Biery said part of the surprise $454,000 windfall can be attributed to a short season. Original budget estimates were based on 12 months of operation, and the building was only open for nine months of the fiscal year.
ENTERTAINMENT
May 2, 1990 | SEAN MITCHELL, TIMES STAFF WRITER
The Edwards Cinema chain and the film distributor Cinecom were telling different stories Tuesday about Edwards' decision not to open the movie "Last Exit to Brooklyn" at the chain's Lido Cinema in Newport Beach on Friday.
BUSINESS
October 14, 1986 | JEFF ROWE, Jeff Rowe is a free-lance writer
If Mark Rodriguez has his way, hundreds of Orange County car owners will soon be cruising into the Anaheim Drive-In theater, and walking home. On Nov. 1, Rodriguez will launch the Orange County Automart--booking it into the drive-in from 6 a.m. to 4 p.m. on Nov. 1 and 2 and every weekend thereafter, he hopes. Drive-in theaters long have been a hot spot for giant swap meets, generally featuring antiques, food, clothing and auto and motorcycle parts.
ENTERTAINMENT
April 12, 1996 | KENNETH TURAN, TIMES FILM CRITIC
Meet Frank, Barbara, Martin, Gale, Jerry, Linda and, of course, Denise. Please. Because even though they're all great friends, they won't meet one another. Not in person. Not ever. "Denise Calls Up," one of the surprise treats of last year's Cannes Film Festival, is an unconventional burlesque of the modern age. It's about lives lived through telephones, modems, faxes, computers, conference calls and answering machines. Consider it a call-waiting comedy.
ENTERTAINMENT
May 6, 1988 | JOHN VOLAND
Disputes between a movie's distributor and its exhibitor rarely get a public airing. So it was unusual last week to see Richard Ingber, marketing president of the independent distributor New Century/Vista, quoted on the front page of Daily Variety. He was venting his frustration over some Southern California movie-theater operators who, after just one week's run, pulled the new fantasy-suspense-horror picture "Lady in White" from their theaters.
ENTERTAINMENT
May 15, 1998 | DAVID KRONKE, SPECIAL TO THE TIMES
"Clockwatchers," which premiered at the 1997 Sundance Film Festival, is the estrogen version of a celebrated alumnus of that year's festival, "In the Company of Men." It explores how the soulless machinery of the workplace can destroy the spirit and reduce worker drones to, if not exactly the amoral monsters of Neil LaBute's scabrous work, then at least unpleasantly petty bickerers.
ENTERTAINMENT
September 27, 1996 | JOHN ANDERSON, FOR THE TIMES
We all know about the survival of the fittest, but how about the propaganda of the species? By the end of "The Leopard Son"--the Discovery Channel's first theatrical release and a first-rate nature film--there's no arguing that leopards are the king of beasts. And that, in fact, lions are filthy pirates, cheetahs are cowardly, hyenas are opportunists, baboons are demonic and that man does well to stay at the far end of a telephoto lens.
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