September 15, 1996
Poor old Beverly Hills real estate agent Jeffrey Hyland, who, along with his shuddering, sniffing and reminiscing Westside associates, cannot separate the twin concepts of "hot tubs" and "canyon living" ("Where'd All Those Darn Hot Tubs Go?" by Laura Accinelli, Aug. 4). His further singling out of Topanga Canyon as a prime example of an outmoded lifestyle only shows he has no idea of what Topanga is all about in the '90s. Why doesn't Hyland saddle up his Rover and come up for an eye-opening tour of our community?
CALIFORNIA | LOCAL
June 25, 1986 |
A few people who appeared to have ventured up from the more prosaic world of the San Fernando Valley mixed with a bit of the Hollywood crowd and the indigenous people of Topanga recently during a fund-raising event for Theatricum Botanicum. That outdoor theater in the heart of the Topanga was founded in 1973 by actor Will Geer.
July 7, 1993 |
"Stella . . . Stella . . . Ste-el-la!" isn't the call of the wild you usually expect to hear in bucolic Topanga Canyon, but it's ringing out loud and clear these days. The volatile world of Tennessee Williams' New Orleans has arrived on the outdoor stage of the Will Geer Theatricum Botanicum. And this "A Streetcar Named Desire" is no less than a definitive production of a key American play, thanks to a stellar cast headed by Ellen Geer's Blanche DuBois.
August 7, 1998 |
The Will Geer Theatricum Botanicum is a haunting environment for "The Crucible," Arthur Miller's examination of the Salem witch trials. The location of the alfresco theater, in a woodsy glen in rural Topanga Canyon, effectively suggests a community on the verge of wilderness, as Salem was in 1692.
August 2, 2001 |
Was Medea more sinned against than sinning? The controversy over the jilted sorceress and her unique approach to family values has raged since Euripides' tragedy hit the ancient floorboards in 431 BC. At the outdoor Will Geer Theatricum Botanicum's latter-day amphitheater, director Heidi Helen Davis' powerful staging proves far too smart to limit "Medea's" timeless complexity by taking an overt stand on whether its title character is the victim of a patriarchal system.
June 20, 2000 |
A 1970s theme--replete with period music and costumes--brings a contemporary slant to the timeless comic social upheavals of "The Taming of the Shrew" at the Will Geer Theatricum Botanicum. Though the conceit is not without its compromises, Ellen Geer's energetic outdoor staging ignites the all-important adversarial fireworks between Shakespeare's romantic antagonists.
June 7, 2002 |
Is Shakespeare's always-controversial "The Merchant of Venice" an anti-Semitic play, a play about anti-Semitism, or a play that features characters who happen to be anti-Semites, but is really about something else entirely? Probably a little of all of those things.