September 29, 1988 |
What makes a person funny? What drives someone to stand in front of a dark and smoke-filled hall, trying to pry laughter out of a sea of strange faces--which together have the power to send a comic home drunk on adrenaline, or leave an ego in shards on a lonely stage? Tom Hanks still doesn't know the answer to the second question. But he does know something about the first.
November 7, 1999 |
Steve Martin cornered Tom Hanks at a party a few months ago and asked the two-time Oscar winner the question that has occurred at least once to any perceptive moviegoer. "You've become this great actor," Martin, a fellow funny-man turned actor-director-writer, said to Hanks. "I'm curious what took you there. What did you do?"
July 5, 1992 |
It was not the way Tom Hanks was accustomed to seeing himself on screen. He'd put on nearly 20 pounds to play washed-up big league ballplayer Jimmy Dugan in "A League of Their Own," the story of an all-female professional baseball league formed during World War II.
April 5, 1998 |
Tom Hanks comes bounding into a posh suite at the Lowell Hotel, instantly jokey and down-to-earth. It doesn't matter that he's nursing a cold or that he's facing an all-night shoot on the set of his latest movie, the romantic comedy "You've Got Mail."
February 26, 1995 |
'Open the door. Let my people go!" bellows director Ron Howard. As the heavy metal door to Stage 34 at Universal Studios is pried open, the cast and crew of Howard's latest production, "Apollo 13," unleash the kind of applause and unrestrained cheering one would more expect from prisoners sprung free after years of captivity. "Here comes the sun!" "Off with the jackets." "Turn the heat on!" "Yeah! We're going back to movie-making!"
July 14, 1994 |
Teen-agers who like to see the underdog come out on top like this movie, some crying and sniffing along with the adults in this poignant role for Tom Hanks. "I thought it was cool to see a guy who supposedly is sub-ordinary become extraordinary," said Peter Goff, 13. "Everybody thought lesser of him, but he became better than them."
October 14, 2013 |
Barkhad Abdi is used to finding his way in strange new places: At age 7, he moved with his family from war-torn Somalia to Yemen, where he learned Arabic on the soccer field. At 14, he moved to Minneapolis and learned English from Jay-Z songs and "Seinfeld" episodes. Now, at 27, Abdi has made himself at home in another new town - Hollywood - by starring opposite Tom Hanks in the film "Captain Phillips. " In director Paul Greengrass' fact-based thriller, which opened Friday, Abdi plays Muse, a Somali pirate who hijacks an American cargo ship and takes its captain hostage.
March 29, 2013 |
- George C. Wolfe is flummoxed. He's describing the gestation of "Lucky Guy," the Nora Ephron play he is directing with Tom Hanks playing an ambitious and cocky New York newspaper reporter. It began, he says, with Ephron asking him: "What's more fun than hanging out with the boys in the bar?" It ended, nine months later, with a phone call from her agent saying she had died. "I didn't even know that Nora was sick until the actual day she died," he says, sitting in a Midtown Manhattan coffee shop on a rainy spring afternoon.
January 17, 2014 |
Tom Hanks' starring role in "Captain Phillips" was one of his most acclaimed performances in a distinguished career. But the two-time Oscar winner, who is also a governor of the Academy of Motion Picture Arts and Sciences, took nothing for granted - working tirelessly to promote "Captain Phillips" and his other big film, "Saving Mr. Banks," in which he plays Walt Disney. But when Academy Award nominations were read out before dawn Thursday, Hanks' name was never called. Cold-blooded snub?
December 23, 2011 |
"Extremely Loud & Incredibly Close" is a handsomely polished, thoughtfully wrapped Hollywood production about the national tragedy of 9/11 that seems to have forever redefined words like unthinkable, unforgivable, catastrophic. It has also redefined our expectations of filmmakers who try to examine the still aching wound — and perhaps explains why most films about 9/11 haven't resonated with audiences. Mindful of that, director Stephen Daldry has taken great care in looking at it through the eyes of a precocious New York City boy in a film filled with both sentiment and substance.