YOU ARE HERE: LAT HomeCollectionsTony Award

Tony Award

September 13, 2012 | By Kelly Scott
Actor Justin Long, best known as the cool, laid-back personification of Apple products in the company's TV commercials, has been cast in the production of Jon Robin Baitz's  "Other Desert Cities" that opens at the Mark Taper Forum in November. Long has appeared in movies ("He's Just Not That Into You," "Drag Me to Hell") as well as several episodes of Fox's "New Girl" last season. He also took to the stage -- on Broadway last season -- playing a student of a sadistic writing teacher in Theresa Rebeck's play "Seminar.
May 29, 2013 | By Barbara Isenberg
Actor Joshua Henry admits he didn't know much about the Scottsboro defendants before auditioning to play one of them in the musical "The Scottsboro Boys. " But the scenes he received to prepare for that audition were powerful. As for the "gorgeous" song excerpts from songwriters John Kander and Fred Ebb, Henry says, "I thought to myself, 'I'd like to be singing these songs eight times a week.'" He did just that when "The Scottsboro Boys" was on Broadway in fall 2010, and he'll be singing them again when the show opens at the Ahmanson Theatre on Wednesday.
June 3, 1991 | From Associated Press
"The Will Rogers Follies," an all-American song-and-dance extravaganza, was named best musical of the 1990-91 Broadway season Sunday, beating out the highly publicized "Miss Saigon" at the annual Tony Awards ceremonies. "Lost in Yonkers," Neil Simon's tale of a deeply troubled family, took the prize for best play. It was the second best-play award for Simon, who won in 1985 for "Biloxi Blues."
May 17, 2006 | Josh Getlin, Times Staff Writer
"The Drowsy Chaperone," a zany tribute to the rollicking musicals of the 1920s, received 13 Tony nominations Tuesday, including one for best musical, making it the surprise leader in the race for Broadway's top honors. The Oprah Winfrey-produced musical "The Color Purple," based on the Alice Walker novel, garnered 11 nods, and the revival of "The Pajama Game," starring pop and jazz singer Harry Connick Jr., followed with nine nominations.
June 4, 1988 | DAN SULLIVAN, Times Theater Critic
Why all the fuss about the Tony Awards? They don't even represent all of the New York theater, let alone the American theater. Still, they do sum up the Broadway season. They remind us that theater people know how to put on a better TV awards show than movie people. Also, this year South Coast Repertory is getting a special resident-theater Tony. It will be presented by Madonna, who became a theater person last month when she opened in David Mamet's "Speed-the-Plow." The Tony show starts at 9 p.
Gordon Davidson was crowing. "We're the most active and productive theater in the area of new and challenging work in the United States," claimed the artistic director of the Mark Taper Forum. "Somebody else can add 'the world.' " The most recent evidence in support of his boast: The Taper co-produced three of the four nominees for one of Broadway's top awards, the Tony Award for best play.
June 9, 1987 | DAN SULLIVAN, Times Theater Critic
"Can you imagine a British actor holding this on a Broadway stage?" marveled Robert Lindsay, receiving his Tony Award for "Me and My Girl" Sunday night. The home viewer had no problem imagining it. Not only did every other Tony recipient this year seem to have a British accent, so did every other presenter, starting with emcee Angela Lansbury. Depressing? Realistic, rather. The Brits did sweep the field this year, so why not recognize it?
On Sunday night's new, improved, three-hour Tony Award telecast, host Rosie O'Donnell described herself as "Broadway's biggest fan." But she was a subtle critic, too. She exclaimed over the number performed from the sensational revival of "Chicago," while remaining suspiciously tight-lipped over a song from "The Life," which featured actresses in grotesque get-ups playing angry but proud prostitutes. The Tony broadcast offered no major gaffs and few surprises.
June 7, 1988 | DAN SULLIVAN, Times Theater Critic
"This is rather unexpected," said Andrew Lloyd Webber, accepting "Phantom of the Opera's" award for best musical on Sunday night's Tony broadcast. It certainly was, considering that "Into the Woods" had just received awards for having the Broadway season's best score (by Stephen Sondheim) and best book (by James Lapine). The reasoning seemed to be: Yeah, but "Phantom" is a better show . Fudge. However, as colleague Robert Hilburn might say, it's only rock 'n' roll.
Los Angeles Times Articles