December 17, 2008
Re "Bursting Obama's BlackBerry bubble," Opinion, Dec. 13 I couldn't disagree more with Eric Weiner's Op-Ed article. It's not about whether Barack Obama has his BlackBerry on his belt; it's about Obama staying in touch. My fear for Obama is that he loses touch -- that he falls prey to pitfalls of previous administrations and governments, here in the U.S. and around the world. Let Obama do what he does best, which is knowing the wants, needs and devil-in-the-details of the people he represents.
October 16, 2009 |
Night-life entrepreneurs routinely fixate on the details of their new clubs -- the lighting, the furniture, the vibe. But for the team behind new West Hollywood nightspot Voyeur, the details became something of an obsession. Take, for example, the uniforms worn by the club's cocktail waitresses. "We thought it would be cool to have them all dressed like Natalie Portman from the movie 'Closer,' " said David Koral, a partner behind Voyeur. Dressed, meaning mostly undressed. Not that bare skin would be anything new at the Voyeur space, 7969 Santa Monica Blvd.
November 7, 2004
November 6, 2009 |
Wednesday night at the Hollywood Palladium, in the first of three concerts there, the Pixies kicked off a U.S. tour commemorating the 20th anniversary of their 1989 college-rock classic "Doolittle." So what did the band open with? A string of obscure B-sides that even bassist Kim Deal admitted she had trouble remembering. Proudly noisy and unapologetically arty, the Pixies kept mainstream success at arm's length during their original run, which ended acrimoniously in 1993 after a stint opening arena shows for U2. Yet thanks in part to postmortem praise from the likes of Kurt Cobain (who famously called "Smells Like Teen Spirit" his attempt to replicate the Pixies' sound)
October 10, 2013 |
Although no one knows if former Chinese leader Deng Xiaoping did say "To get rich is glorious," that sentiment has certainly taken hold in China. But what happens to a society when an unregulated drive for personal wealth upends traditional norms? What happens to the less fortunate when people who have money come to believe that nothing else matters? "A Touch of Sin," the powerful if uneven new film by highly regarded Chinese director Jia Zhangke, is a corrosive depiction of the New China, an everything-for-sale society still figuring out how to cope with the dehumanizing effects of unbridled capitalism.
June 11, 2012 |
The phrase of the day in the 2012 presidential campaign: “Out of touch.” The slogan was liberally sprinkled Monday in competing conference calls by the campaigns of President Obama and Mitt Romney, in the latest round of sniping over controversial comments made last week by both men. Let's start with the presumptive GOP nominee, whose campaign held a call titled “President Obama Is Shockingly Out of Touch With the Middle Class.” ...
CALIFORNIA | LOCAL
April 17, 1988
For years I've lived in Newport and tried to be calm, rational--even nice--despite my bias toward preserving the residential neighborhoods and enhancing the environment. Now I'm going to blow it all in one letter because I'm seeing red over the way the collective wisdom at City Hall is seeing fit to treat the "Touch of Green" Committee. The "Touch of Green" Committee was recently formed by residents of Newport Heights because they were seeing red over the way City Hall was treating Mariners Mile and their neighborhood.
April 16, 2014 |
You may have seen your share of makeovers, but nothing like the one Sheila Callaghan inflicts on her heroine in “Everything You Touch,” her lushly written dark comedy world-premiering at Boston Court Performing Arts Center. Three glamorous models descend on Jess (Kirsten Vangsness), shrieking like birds of prey, while Victor, a histrionic fashion designer (Tyler Pierce), shouts insults at her. She staggers out of the fracas in a leopard-print swing coat. CRITICS' PICKS: What to watch, where to go, what to eat This scene laid bare the savagery at the heart of every makeover, and it would have won me over - if Jessica Kubzansky's bold, lucid staging of Callaghan's theatrical vision hadn't already done so. Although at moments the script feels as if it's still evolving, the stunning production values highlight its best features (a bit like a makeover, come to think of it)