ENTERTAINMENT
January 26, 2011 | By Deborah Vankin, Los Angeles Times
The list of 2010 best picture nominations didn't offer a whole lot of surprises this year; but elsewhere ? in other, perhaps less glamorous, below-the-line categories ? there are some, well, counterintuitive titles in the mix. The poorly reviewed "The Wolfman," directed by Joe Johnston, might not be the first picture that springs to mind as an Oscar contender. But the dark and hairy horror movie starring Benicio Del Toro and Anthony Hopkins won raves from academy voters for its achievement in makeup, executed by Oscar winner Rick Baker and Oscar nominee Dave Elsey.
ENTERTAINMENT
January 12, 2011 | By Rebecca Keegan, Los Angeles Times
If Hollywood had a leading-man factory, Garrett Hedlund would be forged from its golden-boy mold. It's the template that produces the kind of easy-on-the-eyes, blond-haired, blue-eyed actors like Robert Redford and Brad Pitt who seem genetically predestined for roles throwing footballs, wearing cowboy hats and curling the leading lady's toes. Hedlund has done all of that in his eight years in Los Angeles, but as far as Hollywood is concerned, he is just arriving. In the last month, he's starred in a Disney tent pole ( "Tron: Legacy")
ENTERTAINMENT
January 3, 2011 | By Ben Fritz, Los Angeles Times
The 2010 holidays brought big-budget action movies, 3-D family adventures and star-driven comedies, but the season's only undisputed hit is an old-fashioned, guns-blazing western. "True Grit" sold a studio-estimated $24.5-million worth of tickets in the U.S. and Canada on its second weekend, just short of the $26.3 million taken in by the more expensive and hyped "Little Fockers. " The last week was one of the most critical of the year at the box office, even though no new movies opened.
ENTERTAINMENT
December 26, 2010 | By Chris Lee, Los Angeles Times
Played in the denouement to a gripping shootout between digital warriors on rocket-propelled hang-gliders, the musical passage "Adagio for Tron" arrives about two-thirds through the $170-million sci-fi thriller "Tron: Legacy" (which hit multiplexes Dec. 17). It's an elegiac movement recorded by a symphony orchestra that features desolate violins swelling around a barely there synthesizer pulse. Scoring aces such as Hans Zimmer ("The Dark Knight," "Pirates of the Caribbean") and John Williams (the "Star Wars" and " Harry Potter" franchises)
IMAGE
December 19, 2010 | By Booth Moore, Los Angeles Times fashion critic
From the lava-like raw-linen tunic inspired by avant-garde Japanese design in "The Tempest" to the Rodarte-designed twisted tutus in "Black Swan," the fashion in this holiday season's "prestige" films is notable for historical references and inventive approaches to traditional costuming. Here we talk to costume designers about the inspirations ( Grace Kelly and Comme des Garçons), headaches (1930s vintage styles and dense, 32-ounce wools) and triumphs (delicate wings and illumination technology)
HOME & GARDEN
December 18, 2010 | By David A. Keeps, Special to the Los Angeles Times
They had fans at the trailer. For weeks, the previews for "Tron: Legacy" have offered a striking look at what digital-age décor could look like. Though the film, which opened Friday, unfolds in a virtual landscape known as the Grid, it also features the midcentury childhood home of hero Kevin Flynn (Jeff Bridges) and a modern house made from shipping containers where Flynn's son, Sam (Garrett Hedlund), lives. The most dazzling interior by far, however, is the Safehouse, a glowing hideout at the edge of the "Tron" universe.