ENTERTAINMENT
June 23, 2011 | By Robert Lloyd, Los Angeles Times Television Critic
USA Network has come a long way, slowly, from the days when its main contribution to the culture was "Night Flight," an omnibus of music videos, reruns and camp ephemera that kept insomniac kids company back in the 1990s. Now it is the network that "Monk" made, with a small but strong-for-its-size roster of comicdramas that play nice turns on the old big genres — cops and spies and lawyers and doctors: "In Plain Sight," "Burn Notice," "White Collar," "Psych," "Fairly Legal," "Royal Pains.
NEWS
June 3, 2010 | By Ray Richmond, Special to the Los Angeles Times
It's rare, but not unprecedented, for television shows to win Emmy Awards as a going-away present for their final season. "Everybody Loves Raymond" did it in 2005, carting off the outstanding comedy series statuette. Ditto "The Sopranos" in 2007 for drama series. With several high-profile shows, including ABC's "Lost" and Fox's "24," taking their final bows in 2010, it could happen again, though history tells us that it's far easier to bring home the gold when your show is just starting out than when it's wrapping things up. Here's an assessment of the recognition chances of some of the Emmy-caliber prime-time programs that have, or soon will, bid prime time adieu this year.
BUSINESS
February 4, 2010 | By Joe Flint
Media giants Comcast Corp. and NBC Universal will make the case for their merger before Congress on Thursday with hearings scheduled by both the House Subcommittee on Communications, Technology and the Internet and the Senate antitrust subcommittee. Also testifying will be opponents of the $30-billion deal, including consumer activists and media watchdogs. Brian Roberts and Jeff Zucker, chief executives of Comcast and NBC Universal, respectively, will probably face questions over whether the proposed marriage of the nation's biggest cable and broadband provider with an entertainment goliath puts too much control over content and distribution in the hands of one corporation.
BUSINESS
November 14, 2009 | Joe Flint
The first thing Emiliano Calemzuk did when he was tapped to become president of News Corp.'s Fox Television Studios was to move it out of its posh locale on the Fox lot in Century City -- and into offices neighboring an old gas station on Santa Monica Boulevard. "I wanted to get out of the 'lot mentality,' " explained Calemzuk, referring to the assistant-and-fresh-cut-flowers style of business that is pervasive among major Hollywood studios. "We're here to do things differently."
ENTERTAINMENT
October 23, 2009 | MARY McNAMARA, TELEVISION CRITIC
Just when you thought bromance was dead, here comes "White Collar," a crime drama premiering on USA tonight that lifts the genre to a new and dazzling level. Sparkling, snappy, bursting with energy and good clean heist fun, the first episode of "White Collar" may, in fact, be the most perfect pilot to air in a long, long time. Sure, there are shameless echoes of "It Takes a Thief," the show that launched Robert Wagner's television career, but who cares? Imitation is the sincerest form of flattery, and "White Collar's" creator, Jeff Easton, promises only improvement, and with a pitch-perfect cast that comes together to create that cinematic Holy Grail: chemistry.
ENTERTAINMENT
March 19, 2009 | Matea Gold
Jeff Wachtel, who has overseen original programming for the USA Network since 2001, got a title boost Wednesday when he was named the network's president of original programming. The announcement was made by Bonnie Hammer, the top USA executive, promoted to president of NBC Universal's cable entertainment and cable studio last year. Wachtel, whose previous title was executive vice president of original programming, has overseen the launch of shows such as "Monk," "Psych" and "Burn Notice."