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Vine Street

August 9, 2013 | By Roger Vincent
The boutique 57-room Redbury Hotel near the iconic Los Angeles intersection of Hollywood and Vine was sold for $34 million to a Maryland real estate investment trust. The five-story hotel was designed by celebrity photographer and music video director Matthew Rolston and nightclub impresario and hotelier Sam Nazarian with an intentionally over-the-top flair intended to appeal to guests in creative industries in Hollywood for extended stays. Rolston made up the hotel's name by crossing "red" for the color of the building with "bury" from Haight-Ashbury in an effort to mix bohemian, 1960s flower power and old Hollywood sensibilities.
September 6, 1998 | Jim Heimann, Jim Heimann, a regional historian and teacher at Art Center School of Design, is the author of six books on architecture and popular culture, including "Car Hops and Curb Service: A History of the American Drive-In Restaurant."
Hollywood. The name alone evokes images of glamour and movie stars. And the junction of Hollywood and Vine was ground zero--the best possible place to catch a film, glimpse a movie star, shop at a smart store or dine in one of the Southland's hottest spots, surrounded by celebrities. By the early 1960s, however, Hollywood's glitter was replaced by grit and the fabled crossroads became more a state-of-mind than a sought-after destination.
June 9, 1990 | LEONARD FEATHER
Five years ago Marcus Roberts, then 21, joined the Wynton Marsalis group as pianist and composer. Roberts, who was heard last year at Hollywood's Vine Street Bar & Grill during a leave of absence, has now left Marsalis permanently and is back at Vine Street (through Sunday), leading a unit that is similar to the one he presented previously.
October 5, 2013 | By Matt Stevens
More than 1,000 activists ended their hours-long rally and march through Hollywood on Saturday on a high note after getting word that Gov. Jerry Brown had signed several bills that would ease conditions for immigrants. Just before noon on Saturday, a swelling crowd of union workers, immigrants and activists started their march down Western Avenue before turning onto Sunset Boulevard and finally Vine Street. Oscar Valladares, 34, was heading down Sunset holding a purple "Citizenship for the 11 million" sign.
July 26, 2008 | David Zahniser
The City Council on Friday approved both a 23-story condominium tower on the site of the vacant Spaghetti Factory restaurant in Hollywood and two billboard-sized signs on the building's south and west sides. The 305-unit project was approved despite objections from critics who argued that it had received too many exceptions to the city's planning and zoning rules, such as the location of the "supergraphics" -- signs to be stretched across vinyl on part of the building's exterior. The council simultaneously approved a higher density for the project and fewer parking spaces.
April 19, 1989 | ERIC MALNIC, Times Staff Writer
A Hollywood woman who had been chasing some burglars was shot by a policeman early Tuesday when she ignored the officer's orders and reached for a pistol in her waistband, according to Los Angeles police. Detectives said the 35-year-old woman, her husband and son had armed themselves and dashed into the street to chase some people they had seen breaking into their car. The burglars escaped, but moments later police responding to a "shots-fired" call confronted the family at Fountain Avenue and Vine Street.
August 31, 2008 | Paloma Esquivel, Times Staff Writer
When Adnan Essayli set out to paint the outside of his La Palma home, he wanted a color resembling gold-toned travertine, like the stone-walled homes in his native Beirut. He spent weeks searching for the perfect color -- with the same exacting attention to detail he had shown over three years of remodeling. Failing to find a color mimicking stone, he settled on a personalized mix of deep-toned golds, with red trim to highlight the windows. For a year, he has been happy with the color, unaware that some of his neighbors were seething over the suddenly incongruous house in an otherwise coordinated, earth-toned neighborhood.
April 4, 2013 | By The Times editorial board
For far too long, development in Los Angeles has been approved based not on community plans and zoning codes but on a somewhat chaotic form of negotiation in which developers cajole, strong-arm or, um, financially incentivize city politicians into making concessions and giving breaks. It's time for that to stop. There is a reason why carefully thought out and democratically adopted zoning codes and strategic growth plans should be adhered to - especially in a city decried for its mash-up of buildings.
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