December 9, 2006 |
Franco Zeffirelli was cheered and showered with roses on the opening night of his new production of Verdi's "Aida" at La Scala on Thursday night in Milan, Italy, making his triumphant return after a 14-year absence from the opera house where he first made his mark.
May 18, 2003 |
Mozart: Symphonies 39 and 41 Orchestra of St. Luke's; Donald Runnicles, conductor (St. Luke's Collection) *** In an auspicious debut for its new in-house label, the esteemed Orchestra of St. Luke's shows what it can do, and how much it knows, about these late Mozart repertory standards, Symphonies 39 and 41. That the orchestra's members have had considerable experience in the more intimate confines of chamber music helps in the process of bringing Mozart to life in a fleet and lucid form.
CALIFORNIA | LOCAL
February 18, 2005 |
Marcello Viotti, music director of Venice's La Fenice Theatre, died Wednesday in a hospital in Munich, Germany. He was 50. His brother, Silvio Viotti, announced his death. The Italian conductor, who also appeared at La Scala in Milan, the Metropolitan Opera in New York and other major international opera houses, had a stroke last week during a rehearsal of Jules Massenet's "Manon" with the Munich Radio Orchestra. Viotti fell into a coma and never regained consciousness.
November 13, 2005 |
THE opera, it is said, isn't over until the fat lady sings -- or, when it comes to one of the most famous, until the fictional diva Floria Tosca flings herself from a parapet of Rome's Castello Sant'Angelo in the mother of all suicide leaps. That opera is, of course, Giacomo Puccini's "Tosca," which premiered in 1900 and, in a coincidence of scheduling, is being mounted this month by both Opera Pacific and the Los Angeles Opera.
March 6, 2001 |
Dusted by snow flurries Sunday afternoon, Walter Cronkite stood in the front of the stage door of Carnegie Hall speaking to a television camera. He was on his way to hear Pierre Boulez conduct the Vienna Philharmonic in Mahler's Third Symphony. His remarks couldn't be overheard, but perhaps he was asked to comment on what promised to be a bizarre musico-climatological phenomenon.
July 7, 1999 |
The Holy Grail--so miraculously made musical in Wagner's last opera, "Parsifal"--can serve as a symbol of truth and beauty for all of us; and that is something we ever more urgently need as we approach the millennium. At least that's the message in the script that Placido Domingo reads, with beguiling sincerity, at the end of Tony Palmer's "Parsifal: The Search for the Grail," tonight at 8 on KCET.