ENTERTAINMENT
February 27, 2012 | By Ben Fritz, Los Angeles Times
For a moment, it looked as though "Hugo"could sweep this year's Academy Awards. Martin Scorsese's 3-D family film snapped up five trophies in technical categories, including surprise wins for cinematography and visual effects. But as the more prestigious prizes were handed out later in the night, momentum shifted to the expected favorite,"The Artist,"which won for best picture, director and lead actor among its five awards. PHOTOS: Red carpet | Quotes | Show | Winners The only upset in the highest-profile categories came near the end of the show, when Meryl Streep won the lead actress statue for her portrayal of former Prime Minister Margaret Thatcher in "The Iron Lady," beating out Viola Davis for "The Help.
NEWS
February 26, 2012 | By Susan King and Rene Lynch, Los Angeles Times Staff Writers
"The Artist," the black-and-white silent film about Hollywood's rocky transition to the “talkies,” took the biggest honors at the 84th Academy Awards on Sunday night, including best picture, director and lead actor. It was a night filled with firsts - and an especially good night for the French. “The Artist” was the first silent film to nab best picture honors since the first Academy Awards were held in 1929, when “Wings” took the top prize. And for the first time in Academy Awards history, a French actor (Jean Dujardin)
ENTERTAINMENT
February 6, 2012 | By Susan King, Los Angeles Times
Visual effects visionary, director and producer Douglas Trumbull has a "broad" philosophy of film. He believes that everything in a movie is, in essence, a special effect. "Movies are all about illusions, whether it is makeup or wardrobe or some location or being in a period of time or being on an alien planet," says Trumbull, 69. Trumbull has created some of the screen's greatest illusions in such seminal sci-fi films as Stanley Kubrick's 1968 masterwork "2001: A Space Odyssey," his own 1972 cult classic "Silent Running" and Steven Spielberg's 1977 "Close Encounters of the Third Kind.
ENTERTAINMENT
January 23, 2012 | By Deborah Vankin, Los Angeles Times
Digital effects in the movies have become so pervasive and so sophisticated that audiences can easily accept an actor who ages decades before their eyes or even morphs into a different species. But digital effects also have made it tougher for Motion Picture Academy members to decide which movies get nominated for the Oscar for best makeup — meaning the old-fashioned kind applied with a brush or attached to a wig or false nose. "As computer images are getting better and better, it's very difficult for us to tell" what is makeup and what is a computer effect, says special makeup effects designer Matthew W. Mungle, who used makeup and prosthetics to help make Glenn Close look like a woman who could pass for a man in this year's "Albert Nobbs.
ENTERTAINMENT
January 5, 2012
The New York Philharmonic has named a new executive director to tackle huge financial shortfalls at the nation's oldest orchestra. Orchestra officials announced Wednesday that Matthew VanBesien will succeed Zarin Mehta as the Philharmonic's top administrator. Mehta, brother of conductor Zubin Mehta, is retiring. VanBesien, a 42-year-old Missouri native, is currently the managing director of Australia's Melbourne Symphony Orchestra. He started his music career as a French horn player for the Louisiana Philharmonic Orchestra.
NEWS
November 17, 2011 | By Richard Verrier, Los Angeles Times
Four-time Oscar winner Joe Letteri is used to transporting viewers into strange new worlds in such films as "Avatar," "King Kong" and the "Lord of the Rings" trilogy. The task was especially challenging in his latest film, "Rise of the Planet of the Apes," the reboot of the classic 1968 science-fiction film based on French author Pierre Boulle's 1963 novel. Letteri, senior visual effects supervisor at New Zealand-based Weta Digital, recently spoke to the Envelope about his work on the film during a break from working on Peter Jackson's "The Hobbit.