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April 11, 1993 | JANE GALBRAITH
We've heard of the tortuous heights to which writers will go to earn screen credits. But the attempt for credit on the upcoming movie "Cliffhanger" was, well, a real cliffhanger. Even the Writers Guild of America had to go out on a limb to settle the dispute that involved the movie's star, Sylvester Stallone. As reported in this space a month ago, Stallone sought to share screenwriting credit with Michael France--and has since won his bid after a routine arbitration hearing.
May 16, 1988 | Al Martinez
If the Writers Guild strike doesn't end soon, there is going to be serious trouble in our household. I am not speaking here of financial problems. I have what you might call a decent non-union job, and my standard of living, which has never been very high, is not dependent upon the vagaries of collective bargaining. But my marriage might be. I am a member of the WGA because, during times of labor stability, I write television movies on the weekends, which keeps me busy and out of trouble.
March 26, 2008 | Jay A. Fernandez, Special to The Times
It's tempting to compare the tortured 17-years-in-development backstory of the "Leatherheads" script to the infamous climax of the 1982 Stanford-Cal football game, otherwise known as "The Play. " It has the same number of blocks, laterals and even the triumphant, if controversial, ending. Duncan Brantley and Rick Reilly first wrote their gridiron farce in 1990, when they were covering the college football beat for Sports Illustrated and stumbled across the story of John "Blood" McNally.
November 17, 2007 | Matea Gold
Is Ellen DeGeneres breaking strike rules? That's the assertion of the Writers Guild of America, East, which has criticized the comedian for returning to her show while her writers are on the picket lines. DeGeneres -- a member of WGA West as well as the American Federation of Television and Radio Artists -- sat one day out last week until she was told by her production company that she had to go back to work or risk breaching her contract.
February 12, 2007 | Susan King, Times Staff Writer
"Little Miss Sunshine," the dark comedy about a dysfunctional family, and "The Departed," a visceral gangster epic, won the top feature prizes at the 59th annual Writers Guild of America Awards on Sunday. Michael Arndt received the original screenplay honor for "Little Miss Sunshine," also nominated for several Oscars, including best film and screenplay. It was his second win of the night -- he also won the best original screenplay prize from the British Academy Film Awards.
January 14, 2005 | Susan King, Times Staff Writer
For the second year in a row, character-driven independent films dominated the Writers Guild of America award nominations announced Thursday morning. Commercial aspirations aside, there's not a blockbuster among the bunch. "The Aviator," "Eternal Sunshine of the Spotless Mind," "Garden State," "Hotel Rwanda" and "Kinsey" are the original screenplay nominees, and "Before Sunset," "Mean Girls," "Million Dollar Baby," "The Motorcycle Diaries" and "Sideways" are the nominees for adapted screenplay.
September 15, 1985
Apropos the recent John Horn article "Gunfight at the Writers Guild Corral" (Sept. 1), and in order to help everyone keeps things in a proper perspective, I write to point out that all writers' guilds are subject to periodic seizures. I suppose this is because writers are naturally convulsive (particularly comedy writers: Don't they have us all in fits?). Of the three guilds of which I have good knowledge (the Writers Guild of Great Britain, Writers Guild of America, West and the Australian Writers Guild)
March 17, 2006 | Susan King
This weekend the Writers Guild Foundation will honor writer-director Lawrence Kasdan with a two-day retrospective of seven of his films at its Beverly Hills theater. In addition, Kasdan will appear Saturday after a 7 p.m. screening of 1991's "Grand Canyon" for a Q&A session moderated by journalist F.X. Feeney. "I love movies," Kasdan said. "That's why I got into this and why I have devoted my life to it. To be in a position to make movies is a great privilege."
May 1, 1998 | JAMES BATES
Representatives of the Writers Guild of America reached a tentative agreement with producers on a new contract late Thursday. A previous agreement negotiated with producers was torpedoed last year by members in a narrow vote, largely because of opposition from writers in the eastern faction of the guild. No details were available. The agreement follows a tentative pact between producers and members of the Screen Actors Guild.
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