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Will Eisner

July 11, 2012 | by David Ng
Maybe they just decided to go to Comic-Con. After 11 years, the leaders of New York's Museum of Comic and Cartoon Art have shuttered their venue. The abrupt closure came Monday, with museum officials saying they will move out of the current space by the end of July, according to reports. Admittedly, the museum is a small one, occupying the fourth floor of a building in the SoHo neighborhood of New York. The organization, known somewhat humorously as MoCCA, devoted itself to exhibitions on the world of comics.
When James O'Barr started writing an arty black-and-white comic book called "The Crow" to help him deal with a personal tragedy, he never thought it would attract a wide audience--let alone be turned into a movie that looks like an early summer favorite. And though mentions of comic books might bring to mind images of flamboyant super-heroics, O'Barr's story about a rock guitarist who rises from the dead to seek revenge on his and his fiancee's murderers gives the film a grim, gothic look.
September 10, 2010
SERIES The Suite Life on Deck: The series about the ocean-going misadventures of a set of mischievous twins returns with new episodes (8 p.m. Disney). 20/20: Barbara Walters interviews two young girls who suffer from the rapid-aging disorder called progeria on a special edition of the newsmagazine (10 p.m. ABC). The Day Before: Fashion designer Alexander Wang is featured (10 p.m. Sundance). Four Weddings: The reality series returns with a new round of nuptials (10 p.m. TLC)
March 14, 1993
It seems corporate influence has once again won out over public interest. How can (Disney Chairman) Michael Eisner possibly name Anaheim's new National Hockey League team the Mighty Ducks? The only reason I can see for giving the team such a Mickey Mouse name is the free advertising it will give the movie (which, not surprisingly, is scheduled for video release in the near future). On the other hand, the reasons for dropping the name are plentiful. Logically, ducks fly south for the winter and are hunted.
November 2, 2008 | Geoff Boucher
No comic-book creator has seen his work brought to the screen with more reverence than Frank Miller, whose ultra-violent graphic novels "300" and "Sin City" were adapted to film practically panel by panel. "It is very strange," Miller said, "to draw something and then have it come alive in front of you. You start to feel like a low-rent god, but, in my case, one with major feet of clay. . . .
March 21, 1997
Random House said it will publish a long-anticipated autobiography by Walt Disney Co. Chairman Michael Eisner, probably in October. The book, which Eisner, who has been collaborating with writer Tony Schwartz for about four years, is expected to cover his views of the entertainment business and his tenure at Disney since he was hired to turn the company around in 1984.
March 14, 2010 | By Josh Lambert
Backing Into Forward A Memoir Jules Feiffer Nan A. Talese/Doubleday: 450 pp., $30 Whether newspapers live or die, the prognosis for the comic strip doesn't look promising. The extinction of the form not much more than a century after its birth would represent only a very minor tragedy too, given the rise of the graphic novel -- who would shed a tear for "H├Ągar the Horrible" in the age of "Fun Home" and "Jimmy Corrigan: The Smartest Kid on Earth"? -- except it would also mean we no longer live in a world with a berth reserved for the likes of Jules Feiffer.
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