December 4, 1992 |
If you're not up to fighting the mobs at the malls to take care of the jazz buffs on your holiday shopping list, here's good news: You don't have to. There are several firms offering jazz specialty products by mail. T-shirts and sweat shirts designed with classic jazz photos are always a favorite gift, and Gear Inc. in Atlanta carries such shirts exclusively. Among the 60 different shirts available is one with Miles Davis, photographed by L.A.-based photographer Jeff Sedlik.
March 25, 2012 |
Fashion exhibitions at museums, like the "Alexander McQueen: Savage Beauty" show that set attendance records at the Metropolitan Museum of Art in 2011, are more popular than ever. Here is a selection of what's on now and what's coming soon, in the U.S. and abroad. Diana Vreeland After Diana Vreeland | Dedicated to the style and passion of the late fashion icon, editor, traveler and Metropolitan Museum of Art Costume Institute curator. Vreeland also worked as a special consultant to the museum from 1972 to the time of her death in 1989, setting the international standard for costume exhibitions.
May 23, 1994 |
Contrast was the watchword for Saturday's edition of the second annual Orange County Art & Jazz Festival. With a mix of college and high school bands sharing the stage with professional outfits playing mainstream, contemporary and Latin sounds, Day 2 of the three-day affair was a rewarding mix of forms, abilities and styles that spoke to the diversity of the art form called jazz. A more scenic location for an outdoor festival is hard to imagine.
December 18, 1997 |
They're too big to be stocking stuffers. But otherwise, calendars fit almost any holiday shopping need. And in a media-driven marketplace in which trends can flare up and die overnight, the calendar occupies the enviable status of a commodity that gets hotter every year. "Calendar sales have passed $5 billion a year and seem to be growing," reports Dick Mikes of the Calendar Marketing Assn. in Chicago, which monitors sales from around the world.
June 12, 2005 |
The cover to "Looking at Los Angeles," a smashing new book of photographs of arguably the most photogenic city in America, features a relatively recent picture taken at night from atop Mt. Wilson. Along the bottom of the image, hills create a curvy black contour, a bit like a sensual body stretched out on a bed. The sky at the top is an inky flat plane. In between, the twinkling, blue-white lights so familiar to any traveling Angeleno coming home to LAX spread out toward a radiant horizon.
June 20, 1996 |
City-funded galleries, as a rule, shy away from exhibitions that could generate controversy among the taxpayers. So it may come as a surprise that the City of Brea Gallery has taken AIDS as the theme for an exhibit that opens Saturday night with an artists' reception. "I think this is a daring show for this community to do," agreed gallery director and curator Georgia Freedman-Harvey. "And the community has been really supportive of it."
April 30, 2006 |
THE years 1959 and 1960 were watershed one for jazz. Miles Davis recorded "Kind of Blue," the bestselling jazz album of all time, as well as his remarkable Gil Evans collaboration, "Sketches of Spain"; Ornette Coleman made his breakthrough debut in New York City; John Coltrane recorded "Giant Steps"; Dave Brubeck recorded "Take Five"; and the first bossa nova album, Joao Gilberto's "Chega de Saudade," was released.
December 28, 1995 |
If there was ever a doubt that jazz musicians are the pinnacle of cool, William Claxton's black-and-white photographs at Fahey/Klein dispel it. Here is a typical image: It's the morning after in Times Square, in 1960. A man in a dressy black suit blows on his sax, which glints like gold in the sun. A smiling woman embraces him, seduced by the music. Oblivious to the early-morning traffic, the neon signs and the passersby, he is lost in the moment, in thrall to his own music.
CALIFORNIA | LOCAL
January 3, 1999 |
In terms of artistic life, 1998 will go down in Ventura County history as a year like many others, with losses and gains, disappointments and hope renewed. But there was at least one momentous event: It was the year we lost Beatrice Wood, at the sage age of 105. From her lofty but not snooty perch in upper Ojai, Wood was the county art scene's guiding light, actively and symbolically, a seemingly immortal presence over the past few decades. As symbols go, Wood was a wonderful paradox.