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William Claxton

IMAGE
March 25, 2012 | By Booth Moore, Los Angeles Times Fashion Critic
Fashion exhibitions at museums, like the "Alexander McQueen: Savage Beauty" show that set attendance records at the Metropolitan Museum of Art in 2011, are more popular than ever. Here is a selection of what's on now and what's coming soon, in the U.S. and abroad. Diana Vreeland After Diana Vreeland | Dedicated to the style and passion of the late fashion icon, editor, traveler and Metropolitan Museum of Art Costume Institute curator. Vreeland also worked as a special consultant to the museum from 1972 to the time of her death in 1989, setting the international standard for costume exhibitions.
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NEWS
December 18, 1997 | CONNIE KOENENN, Times Staff Writer
They're too big to be stocking stuffers. But otherwise, calendars fit almost any holiday shopping need. And in a media-driven marketplace in which trends can flare up and die overnight, the calendar occupies the enviable status of a commodity that gets hotter every year. "Calendar sales have passed $5 billion a year and seem to be growing," reports Dick Mikes of the Calendar Marketing Assn. in Chicago, which monitors sales from around the world.
CALIFORNIA | LOCAL
January 3, 1999 | JOSEF WOODARD, SPECIAL TO THE TIMES
In terms of artistic life, 1998 will go down in Ventura County history as a year like many others, with losses and gains, disappointments and hope renewed. But there was at least one momentous event: It was the year we lost Beatrice Wood, at the sage age of 105. From her lofty but not snooty perch in upper Ojai, Wood was the county art scene's guiding light, actively and symbolically, a seemingly immortal presence over the past few decades. As symbols go, Wood was a wonderful paradox.
ENTERTAINMENT
November 25, 1990 | SHAUNA SNOW
FACES "I work in all different materials, but I think each means something and has its own specific codes," says sculptor Rita McBride, who has three large pieces made of her latest material, rattan, on view at Margo Leavin Gallery on North Hilldale Avenue, through Dec. 22. "In some ways, rattan is very cheap and inelegant. It has kind of a trendy, '60s connotation--everybody has it in their home," says the spunky McBride, 30.
ENTERTAINMENT
June 30, 2002 | STEVE HOCHMAN
A lot of people will hear Tom Petty's upcoming album, "The Last DJ," as an indictment of the music business. The title song, for example, decries the centralization and depersonalization of radio programming. "Money Becomes King" is the narrative of a disheartened fan who watches a rock hero's values and art get lost in a sea of commercialism, to a point where the fan feels that "all the music gave me was a craving for lite beer." Petty, however, advises fans not to take things too literally.
ENTERTAINMENT
September 22, 2000 | DON HECKMAN, SPECIAL TO THE TIMES
It's time for our semiannual look at jazz on the Web. And with the proliferation of sites taking place, twice a year is barely often enough to cover some of the more interesting destinations. Record Companies. The news here, unfortunately, is not exactly encouraging, which is surprising, given that the Web has become such a powerful source of information for consumers. But Blue Note's Web site (http://www.bluenote.com) is cumbersome, generally out of date and often lacking in pertinent detail.
ENTERTAINMENT
October 2, 1988 | LEONARD FEATHER
The extent to which a musician's life can mirror the evolution of society in 20th-Century America has never been more graphically illustrated than in "Bass Lines: The Stories and Photographs of Milt Hinton" (Temple University Press: $39.95, 328 pages). His family links go back to antebellum days (his mother's mother was a slave on a Vicksburg plantation) and to Africa (his father came here with a missionary group from Monrovia).
MAGAZINE
February 28, 1999 | MARY MCNAMARA, Mary McNamara is a Times staff writer. Her last feature for the magazine was on interior designer Kevin Haley
It is possibly the reddest article of clothing on the planet. Peggy Moffitt's vinyl raincoat, ankle length, lined in brown sheared mink, moving along the bright white way of Sunset Plaza like a maraschino cherry bobbing in a flute of champagne. She's in it, of course, holding a matching purse and discussing the coat's various merits, only one of which is protection from a still chill, though no longer rainy, morning. "It really is just the thing when I'm traveling," she says.
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