August 5, 2005 |
"ALL memories are traces of tears," says Chow Mo Wan (Tony Leung) at the beginning of "2046," Wong Kar-Wai's long-awaited follow-up to "In the Mood for Love," and a gorgeous, fevered dream of a movie that blends recollection, imagination and temporal dislocation to create an emotional portrait of chaos in the aftermath of heartbreak. In 1966 Chow returns to Hong Kong after having spent several years in Singapore, where he went to escape the memory of his affair with Su Li Zhen (Maggie Cheung).
July 24, 2005 |
The impassive Hong Kong director Wong Kar-Wai, blinking behind sunglasses that almost never come off and shrouded in his own cigarette smoke, tends to pause before speaking. He offers slow, thoughtful answers about film and filmmaking in accented English. When asked, though, what he might do if he weren't making movies, he doesn't waste time. "I'd like to be a bartender," he said. "It would be very specific: It would have to be happy hour, or else very late at night.
February 2, 2001 |
Given that it settled on a title scant days before its world premiere last year at Cannes, "In the Mood for Love" is remarkably well-named. A swooningly cinematic exploration of romantic longing, both restrained and sensual, luxuriating in color, texture and sound, this film raises its fascination with enveloping atmosphere and suppressed emotion to a ravishing, almost hypnotic level.
June 29, 2008 |
PRETTY BUT slight, "My Blueberry Nights," the first English-language film by the revered Hong Kong auteur Wong Kar Wai, will seem both familiar and disappointing to many of his fans. This languid road movie, out on DVD Tuesday from Genius/Weinstein Co., recaps all the themes this filmmaker has long nurtured -- loss, longing, memory, regret -- but for the first time in his career, they seem less like obsessions than ingredients in a formula.
October 5, 2008 |
When THE Asian financial crisis hit Hong Kong a decade ago, the lab where director Wong Kar Wai stored his prints went into bankruptcy. On extremely short notice, Wong had to retrieve all his materials in just one evening. Much to his chagrin, Wong discovered that the lab hadn't been storing his prints in ideal conditions. His first independent production, the 1994 martial-arts epic "Ashes of Time," was in dire straits.
January 28, 2001 |
"Sooner or later most filmmakers want to make a film about their childhood," muses Hong Kong filmmaker Wong Kar-wai, sitting on a balcony of a Los Angeles hotel and languidly puffing a cigarette. "The 1960s was the era in which I grew up." And how fondly he remembers it. Born in Shanghai, Wong landed in Hong Kong in 1962, at the age of 5.