August 22, 2013 |
"The Grandmaster" is like a meal of all desserts, with maybe the tiniest bit of protein thrown in. You'll feel decadent enjoying it, but everything is so tasty, it would be foolish to object. An exercise in pure cinematic style filled with the most ravishing images, "The Grandmaster" finds director Wong Kar-wai applying his impeccable visual style to the mass-market martial arts genre with potent results. He's found a way to join the romantic languor of his earlier films like "In the Mood for Love" with the fury of Bruce Lee. Working with his alter ego, actor Tony Leung, and an impressive Ziyi Zhang - and leaving the action choreography to the masterful Yuen Woo-ping ("The Matrix," "Crouching Tiger, Hidden Dragon")
August 5, 2005 |
"ALL memories are traces of tears," says Chow Mo Wan (Tony Leung) at the beginning of "2046," Wong Kar-Wai's long-awaited follow-up to "In the Mood for Love," and a gorgeous, fevered dream of a movie that blends recollection, imagination and temporal dislocation to create an emotional portrait of chaos in the aftermath of heartbreak. In 1966 Chow returns to Hong Kong after having spent several years in Singapore, where he went to escape the memory of his affair with Su Li Zhen (Maggie Cheung).
February 2, 2001 |
Given that it settled on a title scant days before its world premiere last year at Cannes, "In the Mood for Love" is remarkably well-named. A swooningly cinematic exploration of romantic longing, both restrained and sensual, luxuriating in color, texture and sound, this film raises its fascination with enveloping atmosphere and suppressed emotion to a ravishing, almost hypnotic level.
June 29, 2008 |
PRETTY BUT slight, "My Blueberry Nights," the first English-language film by the revered Hong Kong auteur Wong Kar Wai, will seem both familiar and disappointing to many of his fans. This languid road movie, out on DVD Tuesday from Genius/Weinstein Co., recaps all the themes this filmmaker has long nurtured -- loss, longing, memory, regret -- but for the first time in his career, they seem less like obsessions than ingredients in a formula.
October 5, 2008 |
When THE Asian financial crisis hit Hong Kong a decade ago, the lab where director Wong Kar Wai stored his prints went into bankruptcy. On extremely short notice, Wong had to retrieve all his materials in just one evening. Much to his chagrin, Wong discovered that the lab hadn't been storing his prints in ideal conditions. His first independent production, the 1994 martial-arts epic "Ashes of Time," was in dire straits.
January 28, 2001 |
"Sooner or later most filmmakers want to make a film about their childhood," muses Hong Kong filmmaker Wong Kar-wai, sitting on a balcony of a Los Angeles hotel and languidly puffing a cigarette. "The 1960s was the era in which I grew up." And how fondly he remembers it. Born in Shanghai, Wong landed in Hong Kong in 1962, at the age of 5.