Writers Guild Of America

WHEN NBC's Golden Globes telecast devolved into a fiasco earlier this month, with ratings skidding more than 70%, it seemed to hammer home the conventional wisdom about the writers strike. The strike by the Writers Guild of America, you'll recall, was supposed to be a disaster for TV ratings. Once they realized their favorite shows were no longer airing original episodes, angry and bereft viewers would go berserk, smash their flat-screens and spend all their newfound free time on Facebook.com.

Reactions to Academy Award nominations announced Tuesday became an intricate mix of hope and despair, as the usual feelings of joyful gratitude clashed with continuing fears about the nearly 3-month-old writers strike that has shaken Hollywood to its core.

Hollywood's striking writers, signaling a possible thaw in the 3-month-old labor dispute, have agreed to drop two demands that studios have long viewed as non-starters. Leaders of the Writers Guild of America told top studio chiefs during a meeting Tuesday that they would ditch previous proposals to unionize writers who work on animated movies and reality TV shows.

The striking writers behind Jon Stewart's fake news show and Stephen Colbert's fake talk show came here to explain to real lawmakers Wednesday a strike that has crippled creative television and threatens to wreck the Oscars. But knowing it can be difficult to get a lawmaker's attention when not in a Learjet or on the links, the brains behind two of Comedy Central's most-watched shows couched the issues in terms Washington could understand: a mock debate.

As the writers strike drags on, there's at least one small corner of the industry that hasn't been grinding to a halt over the last months: literary departments at the major talent agencies, which are getting inundated with book proposals and story ideas for novels from out-of-work screenwriters.

This was going to be the CW's breakthrough year. The little TV network was full of promise five months ago on the eve of its second season. Advertisers and even curmudgeonly TV critics were gushing over its new fall shows. Buzz on the Internet was wild in anticipation of the much-hyped "Gossip Girl," a soapy drama about pampered prep school students in Manhattan. But instead of catching fire, the CW's new crop of shows flickered in the ratings.

The West Coast board of the Writers Guild of America has reacted favorably to the outlines of a pending agreement reached between guild negotiators and Hollywood studios. But the board is holding off on giving its blessing until it sees the exact language in the contract, according to people familiar with the situation. The 19-member board was briefed Monday by union leaders on the major points in a tentative deal reached Friday.

Hollywood could be back on its feet as early as Monday. The major studios and the Writers Guild of America are putting the finishing touches on a deal that could bring an end to the costly walkout. Today the two sides are expected to finalize a three-year contract that guild leaders plan to present to thousands of writers in Los Angeles and New York on Saturday.

Nothing preempts Hollywood's awards season -- not even a crippling writers strike. On the same day the West Coast and East Coast branches of the Writers Guild of America gathered to discuss an end to the three-month work stoppage, the union took a break to announce the winners of its top writing awards.

The Writers Guild of America leadership recommended Saturday that striking writers approve a contract offer from television networks and movie studios, signaling a likely -- but not immediate -- resolution to the crippling labor impasse. The tentative pact -- which guild members greeted enthusiastically but hardly exuberantly -- still requires a ratification vote to end the 14-week strike.