December 21, 2003 |
An extraordinary year, like none other. A symphony hall gave Los Angeles a new symbol, a new reason to feel good about itself. An architect, an acoustician, a symphony orchestra and its music director became civic stars. The world looked on in envy. Who would have ever thought? The Gehry-Toyota-Salonen Triumphant Triumvirate. It took 16 long years to build the Walt Disney Concert Hall, and the outcome was often in doubt.
April 15, 2013 |
PALO ALTO - We hallucinate. But we are often of two minds about having two minds. We produce drugs to enhance hallucinations and drugs to dull them. Medical science seeks to relieve schizophrenics of their visions. Religion, on the other hand, sanctifies visionaries. Neurologists hunt for explanations. Art is haunted by the haunted. Where would opera be without its mad scenes and wild fantasies? Where would the Beatles have been without LSD? Stanford University made an ambitious attempt to bring together much of the above in its new Bing Concert Hall on Friday night with the premiere of "Visitations" - two short chamber operas about hallucinations by faculty composer and neurological researcher Jonathan Berger.
May 21, 2012 |
Los Angeles Opera can stop worrying right now. The Los Angeles Philharmonic's new production of Mozart's "Don Giovanni," which had its first of four performances Friday night at Walt Disney Concert Hall, is certainly getting all the attention at the moment and for all the obvious and all the right reasons. The hall's architect, Frank Gehry, has designed stunning sets. The fashion world, long enamored of Disney, is involved, with powerfully theatrical costumes from Rodarte and hairstyles by Odile Gilbert.
October 24, 2003 |
Yo-Yo ma, sans cello, waited outside an elevator to be escorted to a camera crew filming inside the Walt Disney Concert Hall. Near him was an electrician in a hard hat on a mission to fix a light over the new stage, along with a contractor chewing on a stubby, burnt-out cigar who needed to lay carpet for a party in the garden. No one around seemed interested in this unlikely trio, though.
July 1, 2003 |
The polished steel exterior of the Walt Disney Concert Hall is already familiar. Inside, the paint is dry, and few hard hats are in evidence. But one lingering question has been the most important: How will it sound? On Monday morning, that question was finally, if not conclusively, answered when the Los Angeles Philharmonic had its first rehearsal in what will become its home in October.
May 12, 2003 |
Mahler's Third Symphony, written in the last years of the 19th century as an epic farewell to Romanticism and a herald of Modernism, still stands as a masterpiece of intrepid hellos and sentimental goodbyes. The longest and most varied symphony in the standard repertory, it begins with eight horns, jubilant in unison, gleefully turning a Brahms tune into something new.
October 13, 1989 |
Some acousticians say designing concert halls is like making a musical instrument--They won't know how it sounds until it's completed. Others take a purely scientific approach, relying on mathematical equations and analysis. But Minoru Nagata, the gray-haired Japanese acoustician responsible for how the music will sound in Walt Disney Hall, is a man with a levelheaded approach: "Acoustics is like seasoning--too much can ruin the food. You want just enough."
April 28, 2003 |
Annandale-on-Hudson, N.Y. The new Richard B. Fisher Center for Performing Arts at Bard College is not a building as much as an act of seduction. Alternately stark and alluring, it presents a series of shifting images, all the while keeping you wonderfully off balance. Designed by Frank Gehry, the $62-million center opened this weekend with a gala celebration that drew a steady stream of cultural types up to this bucolic hamlet at the edge of the Hudson River.
May 17, 2013 |
Nothing in the Los Angeles Philharmonic's repertoire calls for 135-ton trains. The orchestra aims to keep it that way when Metro light rail cars start rumbling through a subway tunnel near Walt Disney Concert Hall. Experts who know the hall's acoustics are worried that the listening experience in the main auditorium could suffer when subway trains begin running 125 feet below the parking garage in 2020. "It would be a disaster for Disney Hall," said its architect, Frank Gehry.