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ENTERTAINMENT
November 8, 2012 | By Mark Swed, Los Angeles Times Music Critic
Once on a flight to Warsaw in the 1990s, when the Polish airline LOT was still trying to get the hang of market economy, I requested a vegetarian meal. For the first course, I was served the same salad of iceberg lettuce and thousand-island dressing as everyone around me. But my hot entrée, I discovered as I peeled away the foil, was another helping of that salad zapped in the microwave. It took a minute or two for the Pole sitting next to me to stop laughing and wipe his tears away, but he then described how fabulous Polish vegetarian cooking could be. He suggested several dishes I try once I landed and told me where to find them.
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ENTERTAINMENT
October 25, 2003 | Diane Haithman, Times Staff Writer
Walt Disney's daughter Diane Disney Miller pondered for a moment as she considered the marked difference in feeling between Thursday's star-studded black-tie opening night at Walt Disney Concert Hall and Friday's performance of contemporary compositions, to which the audience was invited to wear "L.A. chic" attire. "I think this one is about the music," she said.
ENTERTAINMENT
November 30, 2008 | MARK SWED, MUSIC CRITIC
Very late in the game, CalArts wormed its way into the Walt Disney Concert Hall. Once it had become clear that construction would begin after many years of delay and desperate fundraising, the school tossed in a mere $5 million -- less than 2% of the concert hall's budget -- and got a high-profile piece of a spectacular pie.
ENTERTAINMENT
April 28, 2003 | Nicolai Ouroussoff, Times Staff Writer
Annandale-on-Hudson, N.Y. The new Richard B. Fisher Center for Performing Arts at Bard College is not a building as much as an act of seduction. Alternately stark and alluring, it presents a series of shifting images, all the while keeping you wonderfully off balance. Designed by Frank Gehry, the $62-million center opened this weekend with a gala celebration that drew a steady stream of cultural types up to this bucolic hamlet at the edge of the Hudson River.
ENTERTAINMENT
October 24, 2003 | Janet Eastman, Times Staff Writer
Yo-Yo ma, sans cello, waited outside an elevator to be escorted to a camera crew filming inside the Walt Disney Concert Hall. Near him was an electrician in a hard hat on a mission to fix a light over the new stage, along with a contractor chewing on a stubby, burnt-out cigar who needed to lay carpet for a party in the garden. No one around seemed interested in this unlikely trio, though.
ENTERTAINMENT
July 1, 2003 | Mark Swed, Times Staff Writer
The polished steel exterior of the Walt Disney Concert Hall is already familiar. Inside, the paint is dry, and few hard hats are in evidence. But one lingering question has been the most important: How will it sound? On Monday morning, that question was finally, if not conclusively, answered when the Los Angeles Philharmonic had its first rehearsal in what will become its home in October.
ENTERTAINMENT
May 12, 2003 | Mark Swed, Times Staff Writer
Mahler's Third Symphony, written in the last years of the 19th century as an epic farewell to Romanticism and a herald of Modernism, still stands as a masterpiece of intrepid hellos and sentimental goodbyes. The longest and most varied symphony in the standard repertory, it begins with eight horns, jubilant in unison, gleefully turning a Brahms tune into something new.
ENTERTAINMENT
October 13, 1989 | NOBUKO HARA
Some acousticians say designing concert halls is like making a musical instrument--They won't know how it sounds until it's completed. Others take a purely scientific approach, relying on mathematical equations and analysis. But Minoru Nagata, the gray-haired Japanese acoustician responsible for how the music will sound in Walt Disney Hall, is a man with a levelheaded approach: "Acoustics is like seasoning--too much can ruin the food. You want just enough."
ENTERTAINMENT
September 20, 2013 | David Ng
When plans commenced in 1987 to build Walt Disney Concert Hall in downtown L.A., architect Frank Gehry was a relatively youthful 58 years old. By the time the hall was completed, after a number of delays and setbacks - not to mention some acrimonious bickering among its key players - the architect had become a 74-year-old eminence grise . Gehry, now 84, recently sat down for a conversation at Disney Hall with Times music critic Mark Swed and...
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