AS WORLD-ENDING scenarios go,
M. Night Shyamalan favors the whimper over the bang.
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Given its pitch-black subject matter, you’d expect “Quid Pro Quo” to take a quick nose dive into something dank and lurid, never to emerge.
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When his mother dies after a long illness, Mercer White (Lou Taylor Pucci) steals a beat-up old Volvo from a carwash and takes off on the great American hipster road trip.
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In “Miss Conception,” Heather Graham plays Georgina, an Englishwoman who fights with her baby-hating boyfriend just before finding out she has exactly one – count it, one – ovum left and two weeks to go before the lonesome egg swan dives down her fallopian tube and into oblivion.
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IT’S
IMPOSSIBLE to talk about the new “Sex and the City” movie without first mentioning “Sex and the City,” the
HBO series; or the rabid fan devotion it enjoyed; or the equally fervent antipathy (female and male) it inspired on socio-political grounds (sort of like the late-’90s equivalent of not letting your daughter play with Barbies); or the recently much-affirmed straight-male aversion to the
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Near the beginning of Fatih Akin’s captivating “The Edge of Heaven,” a lonely widower (Tuncel Kurtiz) trolls Bremen, Germany’s red-light district before settling on a middle-aged prostitute called Jessie (Nursel Köse).
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Sylvester Stallone, Hulk Hogan, Arnold Schwarzenegger.
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WHEN POLITICS and culture satirize themselves, what is there left for satire to do?
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A decadent, exotic city, the brink of war, the sweep of history, a gang of scruffy urchins, the lips and eyes of Jonathan Rhys Meyers – these are the main ingredients in Roger Spottiswoode’s “The Children of Huang Shi,” a small-scale, would-be epic about an inexperienced British journalist whose accidental arrival in Japanese-occupied Nanking leads to the heroic rescue of 60 Chinese orphans.
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ACTOR-TURNED-DIRECtor Chris Eigeman is perhaps best known for his roles as the spiky preppy from Whit Stillman’s 1990s lockjaw trilogy (“Metropolitan,” “Barcelona” and “The Last Days of Disco”), a persona he has more or less reprised in turns on the “Gilmore Girls” and “The Treatment,” in which he costarred with Famke Janssen.
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