Over the last few years, I’ve been fortunate to serve as columnist
for Poets’ Corner, a monthly space generously provided by the Book
Review and its editors.
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A Palace of Pearls Jane Miller Copper Canyon Press: 62 pp., $15 paper Jane Miller is one of those poets not always on the radar screen:
She has never been a self-promoter or a spotlighter, and she works in
relative isolation.
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Jorie
GRAHAM’S new book of poems, “Overlord,” like her other
collections, has immense philosophical and compositional ambitions.
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School of the Arts Mark Doty HarperCollins: 112 pp., $22.95 Mark
DOTY’s seventh book of poems, “School of the Arts,” marks a
major change in a proven poetic style.
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Jack And Other New Poems Maxine Kumin
W.W. Norton: 112 pp., $23.95 Maxine
KUMIN’S fierce connection to the Earth and to the lives of
animals, to plain style and to her themes of peacemaking and
remembering, make “Jack” a deep intensification of all that has come
before in her work: It isn’t gunfire that wakes me but the rat-a-tat-tat of hickory nuts raining on the tin roof of the trailer barn.
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Belongings Poems Sandra
M. Gilbert
W.W. Norton: 112 pp., $23.95 The title of Sandra
M. Gilbert’s new collection, “Belongings,” is
perfect for this collection of fierce, grieving poems, these dark and
bright elegiac celebrations that include haunting sequences of sonnets.
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Looking back on this year, it seems impossible not to acknowledge
that the most notable and best volumes of poetry are books of poems
by well-known writers (great or late-great) and writers in their
middle years.
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American Smooth Rita Dove
W.W. Norton: 144 pp., $22.95 According to Rita Dove’s informal glossary, “American Smooth” is a
reference to a type of ballroom dancing derived from traditional
“standard” dances like the waltz or the tango in which partners are
“released” to dance freely.
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We
BOUGHT THE house, in Hancock Park, Windsor Square, in 1985.
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Poets of my generation remember when “Alone With America” was
published in the 1970s.
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