IN the United States, sushi seems quintessentially foreign – and
utterly familiar.
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LAURIE Powers had only a few hazy memories of her grandfather, the
author of the western novel “Doc Dillahay” (1949).
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AMERICAN kids may have the reputation of not liking to read, but
thousands of them are devouring the adventures of their favorite
manga and anime characters in translated novelizations that have
begun appearing in the
U.S. Popular examples include the daring
adventures of the sorcerer brothers Edward and Alphonse Elric
(“Fullmetal Alchemist”) and samurai Kenshin Himura (“Rurouni
Kenshin”), the comic misadventures of gay rock star Shuichi Shindo
(“Gravitation”) and the saga of knuckleheaded ninja-in-train
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IF it didn’t make him sound like an old brick building or a
theatrical repertory company, Louis Auchincloss could well be
described as an American institution.
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READERS will be shocked, shocked to learn that cheating occurs
in games of chance, including poker, craps and blackjack – not to
mention three-card monte, carnival contests and bar bets.
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Linda Furiya grew up acutely aware of being different.
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The Librettist of Venice The Remarkable Life of Lorenzo Da Ponte: Mozart’s Poet, Casanova’s
Friend, and Italian Opera Impresario in America Rodney Bolt Bloomsbury: 430 pp., $29.95 *
AS the subtitle of Robert Bolt’s engaging biography “The
Librettist of Venice” suggests, Lorenzo Da Ponte (1749-1838) had a
life as filled with improbable reversals as the plot of one of his operas.
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MORE than 80 years after his death, Marcel Proust remains one of the
most written-about writers of the 20th century.
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MILT GROSS was popular as a cartoonist and writer during the 1920s
and ’30s, but he hasn’t retained a following among modern readers the
way his contemporaries George Herriman (Krazy Kat), Harold Gray
(Little Orphan Annie) and Don Marquis (Archy, Mehitabel) have.
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IF Arthur Conan Doyle tired of Sherlock Holmes, readers never have.
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