Entertainment |
By Jan Stuart |
September 19, 2008
Amid the congested pantheon of romantic male leads, one would be hard-pressed to find a more improbable candidate than Ricky Gervais.
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“Transsiberian” is the quintessence of what critic Judith Crist affectionately refers to as a movie-movie: a picture that breathes entertainment through every celluloid sprocket hole while seeming, without affect or pomposity, to encapsulate the entirety of film history.
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It’s been almost a year since the screenwriting team of Seth Rogen and Evan Goldberg braved the summer-pic sinkhole of August with “Superbad,” a deceptively trashy hit comedy about two joined-at-the-hip teens named Seth and Evan coping with the pain of imminent separation.
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When Gillian Anderson first reunites with her “X-Files” co-star David Duchovny in this, the second spinoff movie from the sci-fi
TV series, she finds him much as she did in the pilot episode 15 years ago: with his back to her, crouched over a crowded desk.
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BRENDAN FRASER has gone subterranean for his newest popcorn offering and, frankly, can you blame him?
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In “Diminished Capacity,” Alan Alda plays a former tavern owner in rural Missouri who is succumbing to dementia with style.
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Luke Shapiro, the depressed high school grad at the center of “The Wackness,” labors to be more than just your average white homeboy in 1994 New York City.
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Tannishtha Chaterjee is a supple screen presence with a reticent smile and big, pining eyes.
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If you have an ax to grind with someone who harbors a morbid fear
of surgery, you couldn’t design a better revenge than taking them to
see “Awake.”
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