There are moments, especially early on, when the historical
adventure film “O Jerusalem” by director Elie Chouraqui, resembles
“The Godfather”: the same burnished tones, the same ’40s-era middle
shots, the same vintage cars, streets, peo- ple.
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Among the grazing herd of young, virtually transparent Hollywood
heartthrobs, Josh Hartnett could probably be voted Least Likely to
Have a Reflection in a Mirror.
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It’s impossible to know whether Milarepa, the real-life, 11th
century mystic at the center of director Neten Chokling’s “Milarepa:
Magician, Murderer, Saint,” ever met the director – Chokling has
been recognized by some as the reincarnation of Tibetan yogi Chokgyur
Lingpa, and his past lives allegedly go back centuries.
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At heart, the sweet if undernourished looking-for-love comedy “I
Want Someone to Eat Cheese With” is writer-director-star Jeff
Garlin’s way of saying, it’s hard out there for a blimp.
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That Americans worship their children only makes Billy Bob
Thornton more deliciously, subversively funny as a tormenter of the young.
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At the outset of Isidore Rosmarin’s “Blood and Tears: The
Arab-Israeli Conflict,” we learn that “the Palestinian-Israeli
conflict is a very complicated one.”
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Toss a little Arthurian legend, some
J.R.R. Tolkien, a few stalks
of “I, Claudius” and some sliced “Star Wars” in a vegetable spinner
and you get the Caesar salad of “The Last Legion,” whose cast is
almost distractingly rich (and thick) and whose sense of history is,
shall we say, convenient to the narrative.
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No one’s going to confuse “Marigold,” Willard Carroll’s
raga-flavored romcom, with state-of-the-art Bollywood.
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If the sons of famous men live under shadows of expectation, and
expectations of failure, what about the son of a saint?
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“Transformers,” the summer’s other toy-based movie, seems like an
exercise in Reichian minimalism compared with the symphonic awfulness
of “Bratz.”
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