TIM PRESLEY nearly flinches when the word “genre” spills out of an interviewer’s mouth and hovers in the heat of an Eagle Rock afternoon.
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YOU KNOW the 88, even if you don’t.
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IF THE travails of the record business were bruises, Katy Perry would be all dolled up in black and blue, rather than the look-at-me neon prints that have made her an “It” girl with the folks who know Johnny Cupcakes from Johnny Rotten.
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LOOKING forward to a cozy, serene New Year’s Eve, with a bottle of
bubbly and maybe quality time with someone special?
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If the Binges had any more energy, they’d plug their amps into themselves.
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Jeremy Dawson was traveling the morning of Dec.
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In many ways, Rademacher could have only called its debut album “Stunts.”
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Their 15 minutes of fame on prime-time television ended in
ignominy rather than glory, but the members of the
L.A. quintet
Rocket (pictured) are neither broken nor bowed.
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There’s a fine line between magic and mush when it comes to the
brooding strain of dream pop that
L.A. quartet the Black Kites
(pictured) makes.
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Bring earplugs: A Place to Bury Strangers plays
L.A. for the first
time next week, and if the trio’s name or its reputation as “the
loudest band in New York” doesn’t set off alarms, know this: Frontman
Oliver Ackermann (pictured at left with Jay Space and Jono Mofo)
started a guitar-pedal effects company called Death by Audio six
years ago when he came up with a device called Total Sonic Annihilation.
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