When the makers of the blackjack drama “21” stepped up to the table to place their bets, they opted to play it safe.
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From his home base in New Jersey to Louisiana, Texas, Alaska and
Florida, novelist-turned-hyphenated filmmaker John Sayles has
crisscrossed the country weaving sprawling stories in such films as
“City of Hope,” “Passion Fish,” “Lone Star,” “Limbo” and “Sunshine State.”
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Nothing says “happy holidays” quite like Korean horror.
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“The Bucket List” arrives on Christmas Day to remind us to live
life to its fullest and leave no cliche unturned.
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An enchanting tale of friendship and evolving relationships, “The
Water Horse: Legend of the Deep” engagingly grafts coming-of-age
movie chestnuts onto Scottish folklore.
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WHEN a formulaic movie rakes in almost $350 million worldwide, why
mess with success, eh?
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To fully appreciate the elaborate history of director Ridley
Scott’s visionary “Blade Runner,” we fortunately did not have to sit
through the tumultuous filming or arduous studio machinations that
led to its original release or the 25th anniversary “final cut” that
hit theaters this fall.
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It’s unclear to me whether it’s a commentary on the movies of 2007
or the state of my life that throughout the year I found the best of
them burrowing their way into my core in ways I never imagined.
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A head-trippin’ curio shelved for two years, “Revolver” is a
grueling mash of criminal types and metaphysical dithering by British
writer-director Guy Ritchie.
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The directorial debut of screenwriter James
C. Strouse, “Grace Is
Gone” is an emotionally rich and satisfying drama featuring a
terrifically understated performance from John Cusack.
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