Why don’t they make stars like James Cagney or John Wayne anymore?
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HOLLYWOOD studios have become so desperate for material that they’ve
begun remaking middling or just plain terrible movies – not only
genre films like “The Amityville Horror” and “Assault on Precinct 13”
but also odder ducks like the political comedy “Fun With Dick and Jane.”
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Autobiographical movies are the most personal of “personal movies,”
and big
U.S. studios rarely champion personal movies of any kind.
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No item struck greater fear into the hearts of movie reviewers
everywhere than the recent announcement that Sylvester Stallone
intends to return as that renowned Philadelphia pug Rocky Balboa in
“Rocky
VI.” Don’t get me wrong: I was a big fan of “Rocky.”
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Steve Kloves, the screenwriter for all three Harry Potter films,
sounds a lot like mob boss Michael Corleone when Corleone declares in
“The Godfather: Part
III,” “Just when I thought that I was out, they
pull me back in!”
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In the
U.S. Defense Department, Pentagon instructors recently have
been screening “The Battle of Algiers” to demonstrate the dangers of
urban warfare, the roots and strategies of terrorism, and the
ugliness of interrogative torture.
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Baltimore Think of John Waters as a racy Wizard of Oz.
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When the World War
II POW adventure “The Great Escape” opened 40
years ago this summer, the title was controversial among my
schoolyard pals.
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So you wonder what film writer-director Lawrence Kasdan really thinks
of George Lucas, creator of the “Star Wars” films?
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Beyond anything else, Marlon Brando is the towering original who came
out of the Midwest 58 years ago and electrified Broadway and then
Hollywood with the visceral excitement and veracity of his acting.
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