Conventional wisdom dictates: Never bring a knife to a gunfight.
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One of the smartest, funniest shows on television lasted only eight
episodes on Fox.
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When Hollywood costume supervisor Robin Roberts talks about Re-Runs,
a vintage clothing warehouse in Kansas City, Mo., it’s as if she’s
describing a magical emporium designed specifically for wardrobe mavens.
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In the end credits of Wes Anderson’s “The Life Aquatic With Steve
Zissou,” there’s an acknowledgement that Steve Zissou (played by Bill
Murray) is a real person.
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Jack Kerouac, who fathered the Beat Generation with the novel “On the
Road,” wrote only one fantasy novel, “Doctor Sax: Faust Part Three,”
a metaphysical ode to pulp characters of the 1930s.
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“Let’s all go to the lobby, let’s all go to the laaah-bee For those who have been exposed to the dancing ice cream bars and
hot dogs in Filmack Studios’ concession stand commercials – played
endlessly at drive-ins and film houses since the 1950s – the jingles
can be hard to shake.
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A viewing of “The Matrix Reloaded: The Imax Experience” suggests that
yes, bigger may be better with a digitally remastered, multichannel
soundtrack and the film’s negative size doubling to 70 millimeters,
but it also magnifies weaknesses.
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Last year, it was Sisqo’s “Thong Song.”
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More than 2,000 people are waiting outside the speaking hall here,
but the 700 inside aren’t budging.
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In the music video for the hot new single “Clint Eastwood,” an army
of mutant apes explodes to the surface from underground and dances a
disturbing ode to Michael Jackson’s “Thriller.”
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