LOS ANGELES art dealer and curator Patricia Hamilton points to a decadent and colorful two-frame Indian cartoon with English-language text.
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THE LATEST crop of candidates for master of fine arts degrees from the California Institute of the Arts seems to be adhering to the classic real estate mantra “location, location, location” in the execution of its graduate exhibition.
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To call Los Angeles-based Chinese American experimental video artist Ming-Yuen
S. Ma a man without a country might not be entirely accurate.
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AT first glance, there is nothing particularly spectacular about the intersection of Palm Avenue and Holloway Drive in West Hollywood – just commercial spaces and billboards that lord over it from Sunset Boulevard.
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SOMETIMES armoires seem to flirt, and keyholes appear to wink.
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Amuscular, tattooed Latino man plays pool just feet away from a flamboyant Japanese character decked out in an orange jumpsuit and boots.
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IN the spring of 1954, like a scene from the movie “Magnolia,” Elysian Valley was teeming with frogs which had emerged from the Los Angeles River.
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AL NODAL is making it clear that Farmlab is not your father’s ecological organization.
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